Street Venom (Suicide Squeeze). Review by Scott Adams.
The Coathangers (Suicide Squeeze). Review by Scott Adams.
The Lords of the New Church Special Edition (Blixa Sounds). Review by Scott Adams.
Cosmetic (Goner). Review by Bob Pomeroy.
Thrill Me! (New Granada). Review by Scott Adams.
Maxed Out on Distractions (Lolipop Records/Burger Records). Review by Carl F Gauze.
The Detroit Rebellion of ‘67 EP. Review by Carl F Gauze.
The Great Escape EP (Secret People). Review by Carl F Gauze.
Mark Sultan takes a break from his other gig with King Khan to storm St. Augustine with his one-man band. Matthew Moyer assures us, it’s awesome – and there’s not a washboard or hat cymbal anywhere on the premises.
Across the Sea (Fortified Audio). Review by Carl F Gauze.
Skying (XL). Review by Matthew Moyer.
In The Dark (ATO). Review by Joe Frietze.
In and Out and Back Again (HoZac). Review by Matthew Moyer.
Hippies (Matador). Review by Matthew Moyer.
This Town (HoZac). Review by Matthew Moyer.
Scramble (Suicide Squeeze). Review by Matthew Moyer.
Primary Colours (Beggars/XL Records). Review by Matthew Moyer.
Dirt Don’t Hurt (Transdreamer). Review by Matthew Moyer.
Vivian Girls (In The Red). Review by Matthew Moyer.
Matador Singles ‘08 (Matador). Review by Scott Adams.
Multiple generations, from Boomers to Zoomers, joined together with the band to sing and scream in Memphis and it was a blast. Pete Townshend and Roger Daltrey, along with their normal touring band, were joined by local orchestral musicians on stage for a two-hour show, bringing a range of classic songs to the expectant masses.
MXTX: A Cross-Border Exchange (Six Degrees Records). Review by Bob Pomeroy.
The rains are coming, but the shows must go on!
Strange Mornings in the Garden (American Laundromat Records). Review by Laura Pontillo.
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
Tommy Emmanuel and opener Gareth Pearson captivated Orlando with a stunning acoustic performance. Michelle Wilson has the full recap.
Here’s the straight skinny on day two of the Orlando International Fringe Theatre Festival, from Carl F. Gauze.
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.