In My Eyes: Photographs 1982-1997
Jim Saah documented the D.C. hardcore scene with training from a high school photography class, capturing energy and excitement with a natural sense of technique and art.
Jim Saah documented the D.C. hardcore scene with training from a high school photography class, capturing energy and excitement with a natural sense of technique and art.
Coriky (Dischord). Review by Scott Adams.
Stories and anecdotes survey punk’s “Straight Edge” movement as the youth of America swear off drugs and booze to achieve Nirvana in the mosh pit.
The humble tape cassette stages a comeback, and the guy who invented it is still alive.
Book collecting 10 years of reviews, interviews, and columns from Scene Point Blank.
Fugazi Edits. Review by Julius C. Lacking.
Brendan Toller’s documentary mixes interviews and animation to explain the death of the independent record store. Scott Adams comments on the eulogy.
Jen Cray flings off a bit of friendly vomit at The Social – who cares? Enduring horrible bodily fluids is but a small price to pay when The Gaslight Anthem’s in town.
Skin, spit, and sweat were on board for a recent These Arms Are Snakes show that Jen Cray soaked up in Orlando.
Jen Cray catches Circa Survive frontman Anthony Green’s intimate Orlando show, where only tentative steps are taken away from his signature crowd-pleasing sound.
…but James Mann offers a review of two books on the subject that should be: Steven Blush’s American Hardcore: A Tribal History and Mark Spitz and Brendan Mullen’s We Got the Neutron Bomb: The Untold Story of L.A. Punk.
Matthew Moyer takes an in-depth look at the fourth issue of the bastard offspring of the legendary Flipside, Razorcake, and finds a kindred spirit.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.