Corpse Flower
Shadows Remain (Paul Booth Brand). Review by Carl F. Gauze.
Shadows Remain (Paul Booth Brand). Review by Carl F. Gauze.
The Current (Potomak ). Review by Bob Pomeroy.
Human Question (Bloodshot Records). Review by Jeremy Glazier.
Iconic store, label, & genre-maker, Wax Trax!, celebrates with a new documentary & accompanying soundtrack!
The final word on the history of metal.
Rosenkopf (Wierd). Review by Matthew Moyer.
Hissing Veils (Dais ). Review by Matthew Moyer.
P-Orridge’s writing stands on its own.
Redhead (Rekids). Review by Carl F Gauze.
Absolute Dissent (Spinefarm/Universal). Review by Matthew Moyer.
Penetration (Metal Mind/MVD). Review by Matthew Moyer.
Is Fixed (Wichita). Review by Carl F Gauze.
The Strange Particle (100m Records). Review by Carl F Gauze.
What We All Come to Need (Southern Lord). Review by Carl F Gauze.
Revolting Cocks’ Lubricatour Tour sideswipes Orlando, nearly creaming Phillip Haire.
Before the Quiet (MVD Audio). Review by Matthew Moyer.
Cover Up (Megaforce/13th Planet). Review by Kiran Aditham.
Jack Dangers and his legendary Meat Beat Manifesto rock the Big Apple with an electronic feast of new and old material. Kiran Aditham digs in.
Mindfreak - Official Soundtrack (Koch Records). Review by Joe Frietze.
Fancy Feast (Fairy Factory). Review by Carl F Gauze.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.