Cursive
Devourer (Run For Cover Records). Review by Peter Lindblad.
Devourer (Run For Cover Records). Review by Peter Lindblad.
iii (Flemish Eye). Review by Scott Adams.
Human Impact (Ipecac Recordings). Review by Scott Adams.
Pioneering ’90s emo band Rye Coalition were close enough to stardom to taste it. So what happened?
Oddfellows (Ipecac). Review by Jason O’Neal Griggs.
The Horror (Sacred Bones). Review by Matthew Moyer.
Matthew Moyer declares this the best approximation of the Jesus Lizard live experience.
Reissues! (Merge). Review by Scott Adams.
Your Future Our Clutter (Domino). Review by Matthew Moyer.
Skin, spit, and sweat were on board for a recent These Arms Are Snakes show that Jen Cray soaked up in Orlando.
The Harlequin EP (Highwheel). Review by Matthew Moyer.
Kill Twee Pop! (Slumberland). Review by Aaron Shaul.
Fake Fake (Modern Radio Records). Review by Matthew Moyer.
Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.
Soft Skeletons (Frenchkiss Records). Review by Matthew Moyer.
In the Dirt (Wantage USA). Review by Aaron Shaul.
We Are All Sluts of Trust (Chemikal Underground). Review by Matthew Moyer.
My Favorite Record (Spanks-a-Lot / Bloodshot). Review by Ian Koss.
The Best of Pigface (Invisible Records). Review by James Mann.
Bring On the Snakes (Warm). Review by Matthew Moyer.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.
Bone Bells (Pyroclastic Records). Review by Bob Pomeroy.
In this installment of his popular weekly series, Christopher Long recalls rolling up on a used record joint in Myrtle Beach where he scored a clean and quiet vinyl copy of Hermit of Mink Hollow, the 1978 masterpiece from Todd Rundgren, for just $2.
Ink 19 spoke with Brendan James to discuss the inspiration behind Chasing Light, his uniquely alluring sound, and why he makes music.
Serving as an inspirational beacon for aspiring musicians and artists — women and men alike — Beat Keepers: The Next Chapter may not be a big-budget feature, but its heartbeat is HUGE!
Let the Good Times Roll (Vegas Records). Review by Bob Pomeroy.