Joe Strummer 002: The Mescaleros Years
Black Horse Records issues a second definitively packaged volume of Joe Strummer’s musical career. Charles DJ Deppner reflects.
Black Horse Records issues a second definitively packaged volume of Joe Strummer’s musical career. Charles DJ Deppner reflects.
Assembly (Dark Horse Records). Review by Bob Pomeroy.
False God (Fangbite Records). Review by Bob Pomeroy.
The singer-songwriter discusses his latest album, Standards , and an upcoming Commotions retrospective with Steve Stav.
Gail Worley talks with drummer Paul Cook of Sex Pistols and Manraze.
Rock & Roll EP (Epitaph). Review by Jen Cray.
Few things are as Rock ‘n’ Roll as 30-year punk rock veterans Social Distortion, as Jen Cray and a sold-out crowd at Orlando’s House of Blues recently witnessed.
Flogging Molly didn’t give up much for Lent, instead bringing one hell of a happy show to Orlando’s House of Blues.
Scottish rockers Glasvegas rode into New York City on a wave of hype for two sold-out shows. With only one proper album to flaunt, the band nevertheless proved to Kiran Aditham that they can bring arena-sized sound to a mid-sized theater.
When it comes to a live show, Th’ Legendary Shack Shakers are a band that has yet to let Jen Cray down.
After watching this dvd of concert footage from Mick Jones post-Clash project, Big Audio Dynamite , Carl F Gauze is still waiting for the clampdown..
Band of Rebels (Sudden Death). Review by Jen Cray.
We Are The Problem (Sailor’s Grave). Review by Jen Cray.
Thirty Seconds to Mars are deliriously sleep deprived when they sit down with me for a quick Q and A before taking the stage at Orlando’s Hard Rock Live.
Give ‘em the Boot IV (Hellcat Records). Review by Carl F Gauze.
For a brief while, James Mann puts the old 78s down and clues us in on those few things he liked in 2003 that weren’t around in 2002.
Aaron Shaul happily wades through The Clash’s complete videography, marvels at their turn as actors (!), and comes through it all as a bigger fan than ever before.
Streetcore (Hellcat). Review by James Mann.
Joe Strummer left us yesterday, far too early at the age of 50. James Mann pays tribute to the man and the legend behind The Clash.
Super 12 (Reel To Reel). Review by Stein Haukland.
This week, Christopher Long visits a Florida rummage sale where he comes across a well-cared-for vinyl copy of Smash Hits, the 1969 compilation LP from the Jimi Hendrix Experience, for just two bucks, and he soon rediscovers why the guitar-slashing icon remains “the whole package.”
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.