Julio Torres recounts Pennywise’s next-generation politically-infused punk-rawk assault in Boynton Beach, Florida.
Got the Thirst (Golf/Plastic Head). Review by Stein Haukland.
Just One More (Fat Wreck Chords). Review by Stein Haukland.
Acrophobe (Honest Don’s). Review by Vanessa Bormann.
The Mad Caddies pulled together jazz, blues, old-timey swing, and straight-ou…
Duck and Cover (Fat Wreck Chords). Review by Phillip Haire
Marion Davies shines in this restored silent comedy classic from Undercrank Productions. Review by Phil Bailey.
The Orlando International Fringe Theatre Festival is back to full throttle in 2022. Carl F. Gauze has some sneak peeks.
Hard Luck and a Woman (Justin Golden Music). Review by Bob Pomeroy.
America’s favorite anti-heroes shoot their way out of life and into the the realms of history in Theater West End’s Bonnie & Clyde.
Yacht Rock Revue sailed smoothly into Orlando, and Michelle Wilson climbed aboard for a light rock extravaganza.
Music for Neighbors (Pravda). Review by Bob Pomeroy.
Electronic music creator Herb Deutsch looks back to the early days of synthesizers in the first installment of Moog’s original series, GIANTS.
Don’t Let The Sunlight Fool Ya (Pirate Press Records). Review by Bob Pomeroy.
Brown Acid: The Fourteenth Trip (Riding Easy Records). Review by Carl F. Gauze.
It takes love to break a curse, at least in the land of Disney.