- Archikulture Digest
- October 19, 2019
Sleeping your way to the top is one thing, but killing your way up there works a just as well.
So, Who’s Paranoid? (Four Worlds Media). Review by Carl F Gauze.
Despite being dissolved for over two decades, Fletcher discovers how The Smiths, a band of four working-class kids from Manchester, created a fanatical following and left an iconic legacy that changed the music world.
Your Future Our Clutter (Domino). Review by Matthew Moyer.
The Fallen resembles Akira Kurosawa’s Rashomon, trying to get at the story of The Fall by letting everyone tell their conflicting versions of the band’s true story. And by everyone, Matthew Moyer means EVERYONE.
Though this festival built its reputation as a lovefest for jambands and hippies, Bonnaroo in 2007 opened its arms up to more modern rock bands, bringing in a whole new audience. One new convert was Jen Cray, whose weekend in the mountains of Tennessee is not one she’s soon to forget.
Before the Design Republic, before even 4AD’s Vaughan Oliver / v23, there was Peter Saville and Factory Records. The history of music and design is filled with intersections, and Matthew Moyer considers none to be as seminal as this.
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You Are The Quarry (Attack/Sanctuary). Review by Kiran Aditham.