So, Who’s Paranoid? (Four Worlds Media). Review by Carl F Gauze.

St. George’s Day Sacrifice - Live in Manchester (UDR Music). Review by Joe Frietze.

Despite being dissolved for over two decades, Fletcher discovers how The Smiths, a band of four working-class kids from Manchester, created a fanatical following and left an iconic legacy that changed the music world.

Your Future Our Clutter (Domino). Review by Matthew Moyer.

The Fallen resembles Akira Kurosawa’s Rashomon, trying to get at the story of The Fall by letting everyone tell their conflicting versions of the band’s true story. And by everyone, Matthew Moyer means EVERYONE.

As music festivals spring up all over the country, Bonnaroo attempts to live up to its reputation as Rolling Stone Magazine’s “Best Festival.” Jen Cray fears that the heart has gone right out of it.

Though this festival built its reputation as a lovefest for jambands and hippies, Bonnaroo in 2007 opened its arms up to more modern rock bands, bringing in a whole new audience. One new convert was Jen Cray , whose weekend in the mountains of Tennessee is not one she’s soon to forget.

Before the Design Republic, before even 4AD’s Vaughan Oliver / v23, there was Peter Saville and Factory Records. The history of music and design is filled with intersections, and Matthew Moyer considers none to be as seminal as this.

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You Are The Quarry (Attack/Sanctuary). Review by Kiran Aditham.