Mixtape 140 :: Coin
Raw, stinging, and pungent like a freshly-cut onion, The Bobby Lees quickly peel away their layers to share their tender, pearl-white hearts.
Raw, stinging, and pungent like a freshly-cut onion, The Bobby Lees quickly peel away their layers to share their tender, pearl-white hearts.
The Delta Sweete (UMC). Review by James Mann.
Marriage (Deer Bear Wolf). Review by James Mann.
Mourning Birds EP (Independent). Review by Carl F Gauze.
Lonerism (Modular Fontana). Review by Jason O’Neal Griggs.
Central Flow (Fire Records). Review by Matthew Moyer.
Betrayal of Hearts (Sovereign States). Review by Matthew Moyer.
Oracular Spectacular (Columbia). Review by Matthew Moyer.
When the recently reunited Swervedriver teleported their shoegazey goodness to the Paradise in Boston, Addam Donnelly was there with his space boots and measurement devices to record the waveforms.
Berandals (Pox World Empire). Review by Andrew Coulon.
Beautiful Targets (Tee Pee Records). Review by Andrew Coulon.
Some Loud Thunder (Self-Released). Review by Jen Cray.
Ghosts of Our Vegas Lives (3 Beads of Sweat). Review by Aaron Shaul.
Both rose-eyed fan and band insider, the Flaming Lips’ official biographer takes Matthew Moyer by the hand backstage into their fabulous rock n’ pop theater. Find out why Jim DeRogatis’s bio on an indie success story (that hasn’t made us cringe yet) makes this volume worthy of top spot on your reading pile.
The Suitcase (Hidden Agenda / Parasol). Review by Stein Haukland.
Doug Kabourek was once part of the band that eventually became The Faint, but with Golden Sand and the Grandstand, he’s moved on to his own lo-fi indie pop gems as Fizzle Like a Flood. Stein Haukland gets the scoop on Kabourek’s music and that unusual name.
Romantica (Jetset). Review by James Mann.
Streamline (Safe House). Review by James Mann.
All Is Dream (V2). Review by Sean Slone.
Beyond Indifference (Quality Park). Review by Marcel Feldmar.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).