Bob Mould
Blue Hearts (Merge). Review by Scott Adams.
Blue Hearts (Merge). Review by Scott Adams.
MCIII (Merge Records). Review by Laura Pontillo.
Tinsel and Lights (Merge Records). Review by Matthew Moyer.
A Wasteland Companion (Merge Records). Review by Will Bernstein.
Feel the Sound (Merge). Review by Laura Pontillo.
Foolish (Merge Records). Review by Laura Pontillo.
Reissues! (Merge). Review by Scott Adams.
We Live in Rented Rooms (Merge Records). Review by James Mann.
Canadian electronica whiz Daniel Snaith (Caribou) brings down the spirit of Brian Eno at a very crowded, smoky Backbooth in Orlando. Jeff Schweers wallowed in the trance-heavy psychedelia.
My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.
City of Daughters, Thief, Streethawk: A Seduction (Merge Records). Review by Tim Wardyn.
Scott Adams finds this compelling history of Merge Records, the underdog label that beat the odds and succeeded, to be insanely readable.
The Bright Orange Years (Merge Records). Review by Scott Adams.
Meadow (Merge). Review by Tim Wardyn.
Amigo Row (Merge). Review by Sean Slone.
Dark Island (Merge Records). Review by Dylan Garret.
Kill The Moonlight (Merge). Review by Kiran Aditham.
And the Surrounding Mountains (Merge). Review by Daniel Mitchell.
Is A Woman (Merge). Review by James Mann.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).