Juliana Hatfield
Blood (American Laundromat Records). Review by Laura Pontillo.
Blood (American Laundromat Records). Review by Laura Pontillo.
All the Pain Money Can Buy (20th Anniversary Edition) (Omnivore Recordings). Review by Christopher Long.
Friday Night Is Killing Me (Omnivore Recordings). Review by James Mann.
SoLow (JCPL ). Review by James Mann.
Blisters In The Pit of My Heart (Dirtnap). Review by Jen Cray.
Boxers. Review by Andrew Ellis.
They could go from the greatest band you ever saw to an out of control drunken mess, all in the same song. Color Me Obsessed pays tribute to last great American band, The Replacements. You can color James Mann obsessed!
Treatment Bound: A Ukulele Tribute to The Replacements (Bar/None Records ). Review by James Mann.
Ghost on the Canvas (Surfdog Records). Review by Sean Slone.
Once, Twice, Three Times A Maybe (Ryko). Review by Sean Slone.
Is This Progress? (145 Records). Review by Carl F Gauze.
Regret Over the Wires (Hybrid). Review by Sean Slone.
Come Feel Me Tremble (Vagrant). Review by James Mann.
Dead Man Shake (Anti-/Fat Possum). Review by James Mann.
Tell Balgeary, Balgury is Dead (Lookout!). Review by Stein Haukland.
Comedy Horn (Post-Parlo). Review by Aaron Shaul.
Loneliness Knows My Name (Hollywood). Review by Stein Haukland.
The Fine Art of Self Destruction (Artemis Records). Review by Sean Slone.
Bee Line (Vanguard). Review by Sean Slone.
Music From and Inspired By the Motion Picture (V2). Review by Brian Broccoli.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.