333 (In the Red). Review by Scott Adams.
Slave Vows (Agitated). Review by Jason O’Neal Griggs.
What begins as a reunion pub crawl for five friends turns into a night of booze, bodies, and the bizarre, delving deeper into chaos as it leads to redemption, love, loss, and hope at a pub called The Worlds End.
British rockers Kasabian storm the London O2 Arena in a triumphal concert.
Station (Mute Records). Review by Matthew Moyer.
Power Pop,Post-punk,Paris Texas,Like You Like An Arsonist,New Line Records,Daniel Mitchell
Like You Like An Arsonist (New Line). Review by Daniel Mitchell.
The Ballad of Ric Menck (Action Musik). Review by James Mann.
Various Artists (Buddyhead / Nettwerk). Review by Daniel Mitchell.
Up In Flames (Domino). Review by Stein Haukland.
Truth, Soul, Rock & Roll (Sparrow Records). Review by Daniel Mitchell.
Scars (Sanctuary). Review by James Mann.
What Does Good Luck Bring? (In Music We Trust). Review by Daniel Mitchell.
You Are Superior (Kindercore / Electric Watusi Boogaloo). Review by Stein Haukland.
Carnival (Artemis/Ultimatum). Review by Nathan T. Birk.
Vanishing Point (Reprise). Review by Carole Jaszewski
Recently on Ink 19...
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.