Magnified/Doors Down
Stand In Traffic (TVT). Review by Rich Pawelczyk
Stand In Traffic (TVT). Review by Rich Pawelczyk
There is Nothing Left to Lose (Roswell/RCA). Review by Rich Pawelczyk
Column by Rich Pawelczyk
August Everywhere (Dreamworks). Review by Rich Pawelczyk
Day In, Day Out (spinART). Review by Rich Pawelczyk
Print Review by Rich Pawelczyk
Apple Venus (Vol. 1) (TVT). Review by Rich Pawelczyk
Reunion (Epic). Review by Rich Pawelczyk
Electro-Shock Blues (Dreamworks). Review by Rich Pawelczyk
Sweet Life (Zero Hour). Review by Rich Pawelczyk
Column by Andrew Chadwick
The Floor (28 Days/Ryko). Review by Rich Pawelczyk
Hard Times, Sunday Spirits (SpinArt). Review by Rich Pawelczyk
Heaven Forbid (CMC). Review by Rich Pawelczyk
The Chinese Album (Sire). Review by Rich Pawelczyk
The Medicine Is All Gone (Alias). Review by Rich Pawelczyk
Event Review by Rich Pawelczyk
This week, Christopher Long reveals one of his most amazing vintage vinyl acquisitions: an original pressing of Aladdin Sane — the iconic 1973 slab from David Bowie. Why so amazing? He nabbed it for FREE!
Who’s Making You Feel It (Darkroom/Polydor/Capitol). Review by Danielle Holian.
Film noir meets Sci-fi horror in Evan Marlowe’s bizarre puppet film Abruptio. Phil Bailey promises you have never seen anything quite like it.
Cheerleader’s Wild Weekend, aka The Great American Girl Robbery, entered the fray in 1979 with its odd mashup of hostage drama, comedic crime caper, and good old fashioned T & A hijinks. Phil Bailey reviews the Blu-ray release.
In this latest installment of his weekly series, Christopher Long discovers and scores a secondhand vinyl copy of one of his all-time favorite LPs: 2XS (To Excess), the splendid 1982 flop from the iconic Scottish powerhouse, Nazareth.
A Murmuration of Capitalist Bees (Expert Work Records, Dipterid Records). Review by Peter Lindblad.
Author and longtime Ink 19 contributor Christopher Long kicks off the 2025 edition of his popular weekly Garage Sale Vinyl series with a bona fide banger: the blues-soaked, whisky-injected, self-titled 1971 debut record from Bonnie Raitt.