GOTH: A History
Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.
Founding member of The Cure Lol Tolhurst takes readers on a very personal tour of the people, places, and events that made goth an enduring movement and vital subculture, in GOTH: A History. Bob Pomeroy reviews.
Judy Craddock returns to her Nashville roots to soak up the music, people, and food of AmericanaFest while she can.
Sound Salvation is resurrected with a howlingly good Halloween playlist that will weak the dead at your All Hallow’s Eve bash.
Touch/Are You Alone (Bigmac Records). Review by Stacey Zering.
Thursday may have topped the bill, but it was opening band Wax Idols that had Jen Cray mesmerized at Orlando’s House of Blues.
Zola Jesus creates a surreal and magical concert experience, Jen Cray learned at the songstress’ first ever Orlando date.
The Glitter End (Critical Heights ). Review by Matthew Moyer.
Too Beautiful To Work (Dead Oceans). Review by Matthew Moyer.
A three-ring psychedelic circus took place at the House of Blues, with Wayne Coyne of The Flaming Lips as the ringmaster. Jeff Schweers watched it all from the rafters.
For Blood and Wine. Review by Matthew Moyer.
Tapestry of Webs (Suicide Squeeze). Review by Carl F Gauze.
Hidden (Domino). Review by Matthew Moyer.
In and Out and Back Again (HoZac). Review by Matthew Moyer.
Live @ the Roundhouse London 2008 (Year Zero/Future Noise). Review by Matthew Moyer.
In the near future, there will be a documentary produced on every single punk scene or band from the late ’70s to mid ’80s. And that’s just fine.
Does You Inspire You (Columbia). Review by Matthew Moyer.
That That! (Pressing Records). Review by Matthew Moyer.
You Filled His Head With Fluffy Clouds and Jolly Ranchers, What Did You Think Was Going To Happen (Model Citizen). Review by Jen Cray.
Happily Ever After (Hungry Eye). Review by Matthew Moyer.
Kiss Kiss Kill Kill (Hellcat). Review by Jen Cray.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.