- Music Reviews
- April 3, 2020
Afterglow (Landslide Records). Review by Michelle Wilson.
My Mind Set Me Free: The House Guests Meet the Complete Strangers (Shake It Records). Review by Scott Adams.
Jazz and Disney and plenty of piano. There’s only one place THAT could be…
With the upcoming release of his eagerly awaited new album, 99 Cent Dreams, soul singer Eli “Paperboy” Reed speaks in depth about his songwriting process and working with the legendary vocal group, The Masqueraders, and Grammy winning producer, Matt Ross-Spang, with Generoso Fierro.
The soul and jazz sounds of Orlando’s best jazz musicians invades the lobby of the Winter Park Playhouse.
Join the jumpin’ Jive at Winter Parks pop up version of The Cotton Club!
A new cabaret series at Winter Park Playhouse emphasized African American artists and music.
S/T (Bloodshot Records). Review by Bob Pomeroy.
Green Man (Do Music Records). Review by Stacey Zering.
Memphis (Reuben Records). Review by Bob Pomeroy.
Freedom Highway (Nonesuch). Review by Bob Pomeroy.
Afro Funk Explosion! (Manifesto). Review by Scott Adams.
Heal My Soul (Provogue). Review by Joe Frietze.
Charles Bradley flat tears it up at the House of Soul.
Black Beauty (High Moon). Review by Carl F Gauze.
Let’s be Strangers Again (). Review by Carl F Gauze.
Soul, funk, and R&B purists, Sharon Jones and the Dap Kings “bring it” to Phillip Haire and the people of Orlando
Want More (Bloodshot). Review by Scott Adams.
Live in Concert (Concord Music Group). Review by Carl F Gauze.
Music’s not for Everyone (K). Review by Matthew Moyer.
The distance between Eunice Waymon and Nina Simone is explained and explored for Jessica Whittington in this somewhat dry biography.