Argentum Dreams (8D Industries). Review by Steven Garnett.
Illinois River Valley Blues (Thrill Jockey). Review by Bob Pomeroy.
Elevator (EP) (Independent). Review by Carl F Gauze.
m b v. Review by James Mann.
Adam Pierce, head mouseketeer in the rhythm-heavy, fuzz-laden collective known as Mice Parade, chats with Ink 19 about his process — and lack thereof.
See Mystery Lights (DFA records). Review by Carl F Gauze.
Fans of cutting-edge electronic music most likely have Michael Rother to thank. Rother was one of the prime movers in a German music scene, dubbed krautrock, that still sets the standard for exciting, weird, and groovy music. Ink 19 had the pleasure of chatting with Rother, who seems as comfortable with creating new music as he is with being a careful archivist of the music and legacy of his previous bands.
Psychic Psummer (Important). Review by Aaron Shaul.
We Started Nothing (Columbia Records). Review by Andrew Coulon.
Dichotomies and Dreamland (Aloft Records). Review by Matthew Moyer.
Radiation (Celebrity Lifestyle). Review by Aaron Shaul.
Daughters and Suns (Magic Marker). Review by Aaron Shaul.
We Can Create (Mute). Review by Andrew Coulon.
Easy Tensions (Orange). Review by Aaron Shaul.
The Last Temptation of… (Gigantic). Review by Aaron Shaul.
Blow It Up, Burn it Down, Kick It Til It Bleeds (Drag City). Review by Omar de la Rosa.
Absolute Noon (Hometapes). Review by Aaron Shaul.
La Fin Du Monde (Boompa). Review by Kiran Aditham.
To The Moon (Claire Records). Review by Matthew Moyer.
Satan’s Circus (Drone/Universal). Review by Kiran Aditham.
The Spitfire Grill Music and Book by James Valcq Lyrics and book by Fred Alley Based on a film by Lee David Zlotoff Directed by David Lee Musical Director Terry Thomas Starring Jac LeDoux, Kari Ringer, and Britany Halen Mad Cow Theatre Orlando, FL I have been to Dodgeville, Wisconsin and can report it’s about
The Little Woman have all grown up and now deal with grown-up issues like marriage and spinsterhood, and how wonderful owning a Proper English Estate might be.
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
Veils of Winter (Riding Easy Records). Review by Carl F. Gauze.
Cut the Rope (Pirate’s Press Records). Review by Scott Adams.
The Bakersfield Sound (Bear Family Productions). Review by James Mann.
For the fifth straight year, Lily and Generoso assess a selection of new features from the eclectic program at AFI FEST, Los Angeles’ most prominent film festival.
