Lillie Mae & Family
Festival Eyes (S II C Records). Review by Christopher Long.
Festival Eyes (S II C Records). Review by Christopher Long.
Long Cool World (Third Man Records). Review by Judy Craddock.
I Play My Bass Loud (Third Man Records). Review by Bob Pomeroy.
Christmas Alone (Third Man Records). Review by Judy Craddock.
Sleep unveil Dopesmoker deluxe LP featuring real cannabis leaves in vinyl; the album is returning to streaming services this Friday.
Live at Goose Lake, August 8th, 1970 (Third Man Records). Review by Scott Adams.
Altar of Harmony (Third Man Records). Review by James Mann.
Ann Arbor Blues Festival Vol. 1+2 (Third Man Records). Review by James Mann.
Electric Mud (Third Man Records). Review by James Mann.
Forever and Then Some (Third Man Records). Review by Jen Cray.
The Entertainers (Third Man Records). Review by Jen Cray.
Heartless Heathen (Third Man Records). Review by Jen Cray.
Dodge and Burn (Third Man Records). Review by Jen Cray.
Something in the Water (Rounder). Review by Jen Cray.
Blunderbuss (Third Man Records). Review by Jen Cray.
Sharon Van Etten & The Attachment Theory (Jagjaguwar). Review by Peter Lindblad.
This week, Christopher Long goes “gaga” over discovering an ’80s treasure: an OG vinyl copy of Spring Session M, the timeless 1982 classic from Missing Persons — for just six bucks!
Both bold experiment and colossal failure in the 1960s, Esperanto language art house horror film Incubus returns with pre-_Star Trek_ William Shatner to claim a perhaps more serious audience.
You Can’t Tell Me I’m Not What I Used To Be (North & Left Records). Review by Randy Radic.
In this latest installment of his weekly series, Christopher Long is betrayed by his longtime GF when she swipes his copy of Loretta Lynn’s Greatest Hits Vol. II right out from under his nose while rummaging through a south Florida junk store.