Mixtape 169 :: TV Dinner
For quite some time, the Mommyheads have delivered the sort of complex pop and lyrical insight that fills in the cracks and gaps in your musical thinking with new ideas and sounds.
For quite some time, the Mommyheads have delivered the sort of complex pop and lyrical insight that fills in the cracks and gaps in your musical thinking with new ideas and sounds.
You can say that bedrock funk bassist Bootsy Collins is The One, and you would be right on so many levels.
If I could use synesthesia to describe Woods’ music, I would say it sounds like sparkling pastel day-go colors.
If you got The Nude Party to perform at your next get-together, it would be the kind of shindig that produces two marriages, three break-ups, and gossip for years to come.
Not unlike fine Swiss clockwork, the duo that calls themselves Yello have been ticking for four decades without missing a beat.
Listening to Fantastic Negrito is like lifting the lid on a simmering pot to a wonderfully exotic yet very familiar blend of spices.
Soul jazz ensemble The Greyboy Allstars have been around so long they have grown into their name.
Jade Hairpins don’t care about your repetitive song structures, man. That’s not how you cram five albums’ worth of material into less than forty minutes.
M. Ward could get by on his smoky velvet voice alone, but he also happens to be a supreme connoisseur of what alert musicians call songcraft.
Skiff (Spiritual Pajamas). Review by Julius C. Lacking.
Somehow, Ben Vaughn manages to make time for an interview with Ian Koss in the midst of his many moods and projects.
Medicine for the Soul (Eggsong Recordings). Review by James Mann.
Big Words Make the Baby Jesus Cry, Dark Clouds Gather over Middlemarch, The Great Boston Molasses Flood. Review by Eric J. Iannelli.
The 7th annual Wanee Festival, hosted by The Allman Brothers Band, brought icons of Rock ‘n’ Roll’s past to idyllic Live Oak, FL. Phillip Haire soaked it all in before staggering to his campsite each night.
Bromst (Carpark). Review by Julius Lacking.
Fujiya & Miyagi brought their unique brand of electronica to Orlando’s BackBooth recently. Phillip Haire got his groove on.
Ween dominates Orlando with a marathon set! Phillip Haire prostrates himself at the altar of brothers Dean and Gene.
Mustard Pickle Gun. Review by Jen Cray.
Songs About Food (Moe’s Haven). Review by Carl F Gauze.
The Spine (Idlewild/Rounder/Universal). Review by Eric J. Iannelli.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).
Aaron Tanner delivers 400 pages of visual delights from the ever-enigmatic band, The Residents, in The Residents Visual History Book: A Sight for Sore Eyes, Vol. 2.
Two teenage boys build a sexy computer girlfriend with an 8-bit computer… you know the story. Carl F. Gauze reviews Weird Science (1985), in a new 4K UHD Blu-ray release from Arrow Films.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.