- December 6, 2019
The multi-instrumentalist opens up on influences that shaped his The Griot Swings the Classics.
A quick round up of records that almost got away.
Carnival Barkers (Cleave Recordings). Review by Bob Pomeroy.
Where We Were Together (Damnably Records). Review by Bob Pomeroy.
Imitations of Immortality (Motorific Sounds). Review by Bob Pomeroy.
Illinois River Valley Blues (Thrill Jockey). Review by Bob Pomeroy.
Getaway (Merge). Review by Bob Pomeroy.
Pendarvis Farms transforms for three extraordinary days into the fun and psychedelic fest of your wildest indie music loving dreams, Pickathon. Alexa Harris was there to experience the joys of farm life for the weekend.
In the wilds of Washington, the beautiful Columbia Gorge serves as the backdrop to the 4-day music festival extravaganza known as Sasquatch Fest. Alexa Harris was there to experience great shows and interesting people, and sometimes braving the elements along the way.
Surface Noise (Kiam). Review by Bob Pomeroy.
The Sun Ra Arkestra held sway over Bob Pomeroy in Jacksonville.
Airless Midnight (Red Herring). Review by Bob Pomeroy.
Fade (Matador). Review by Eric J. Iannelli.
Skin Collision Past. Review by Jeff Schweers.
Fission (hi-speedsoul). Review by jeff schweers.
My Neighbor/My Creator (Merge Records). Review by Jeff Schweers.
The Sound The Speed The Light (Matador Records). Review by Carl F Gauze.
Popular Songs (Matador Records). Review by Laura Pontillo.
Dark Was the Night (Red Hot Organization). Review by Tim Wardyn.
Modest Mouse are playing bigger and bigger gigs these days. Their recent sold out show at Orlando’s House of Blues is an example. S D Green questions their modesty in light of all this popularity and new personnel.