Mary Lou Lord
Baby Blue (Rubric). Review by Aaron Shaul.
Baby Blue (Rubric). Review by Aaron Shaul.
Oscuro (Pascal). Review by Stein Haukland.
Kill The DJ (Hypnotic). Review by Ben Varkentine.
BDS Live in Paris . Review by Gail Worley.
Cole (self-released). Review by Ben Varkentine.
Hum Of The Motor (Crafty Records). Review by Gail Worley.
Airs Above Your Station (Sub Pop). Review by Eric J. Iannelli.
Let’s Get This Mother Outta Here (Peaceville). Review by Daniel Mitchell.
The Snakes (Bomp). Review by Vinnie Apicella.
Behind The Music (Universal). Review by James Mann.
Finally the Punk Rockers Are Taking Acid (Restless). Review by Matt Cibula.
Phoenix EP (Birdman). Review by Jason Michelitch.
In Absentia (Lava / Atlantic). Review by Chuck Johnson.
James Mann has a few thoughts on the rumored Zep tour. Okay, one: stay home.
Hide the Kitchen Knives (Beatville). Review by Stein Haukland.
What’s in a name? Gail Worley finds out with Chris Hesse of Hoobastank.
Titletron (Grand Theft Autumn). Review by Daniel Mitchell.
Yoshimi vs. the Pink Robots (Warner Bros.). Review by Matt Cibula.
The Great Dumbening (Vaccination). Review by Stein Haukland.
Secret Machines EP (Ace Fu). Review by Kurt Channing.
Today’s Smmoth Jazz Roundup is a collection of short reviews of easy-to-listen-to jazz.
In Perfect Harmony: The Lost Album (Jazz Detective). Review by Bob Pomeroy.
The Mighty Warriors: Live in Antwerp (Elemental Music). Review by Bob Pomeroy.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
The biggest astronomical event of the decade coincides with a long overdue trip to Austin, Texas.
Sofia and Louise have just graduated nursing school. They have no idea what they’ve signed up for.
At the Showcase: Live in Chicago 1976/1977 (Jazz Detective). Review by Bob Pomeroy.
Atlantis Lullaby: The Concert in Avignon (Elemental Music). Review by Bob Pomeroy.
Hamilton, Ontario rap artist Cadence Weapon drops Rollercoaster (MNRK Music) today.
Shall I compare thee to an “Old Bronco”? Sure, if thou art The Bacon Brothers.