There’s more to Hanson than “MmmBop,” and the all-grown-up band proves it at Chicago’s House of Blues. Cindy Barrymore says the brothers’ cuteness has worn off. You be the judge.

Only By The Night (RCA). Review by Christopher Long.

Ink 19’s Jen Cray trades her low expectations for staunch admiration when she experiences the charm of Coldplay firsthand. Almost as good as U2?

Swallow The Sea (MPJ). Review by Andrew Ellis.

Chris Catania makes it through a weekend of punk, rock, hip hop, sweat, and garbage cans without having his head mistaken for a hi-hat.

Make Sure They See My Face (Interscope). Review by Kiran Aditham.

Which Way Is Mine (Self-released). Review by Kyrby Raine.

The Saint Alvia Cartel (Stomp). Review by Jen Cray.

Matchless Years (Darla). Review by Aaron Shaul.

Jen Cray finds herself at a Duran Duran concert in 2008, and missing the AquaNet smell of a zillion emotional teenaged girls.

Angels & Airwaves soared into Orlando recently, with a slew of young bands in tow. Jen Cray gave them a shot, but was not quite convinced.

Editors remind Orlando audiences that it was the UK that birthed their brand of darkly deep indie rock. Jen Cray couldn’t help but wonder if they were ripping off Joy Division, or Interpol’s interpretation of Joy Division.

I-Empire (Suretone/Geffen). Review by Jen Cray.

Two Eyes EP (Lujo). Review by Jen Cray.

High (Attack Attack). Review by Sean Slone.

Victorious (Nettwerk). Review by Aaron Shaul.

RJ Bowen knows that She Wants Revenge is a dish best served cold at the Club@Firestone in Orlando. Wait, that makes no sense whatsoever…

On the Wing Now (Dim Mak). Review by Jen Cray.

Pop-collagist/Party-Starter Girl Talk (a.k.a. Gregg Gillis ) talks to Omar de la Rosa about sampling, doing remixes versus Girl Talk originals, the like-minded performance stylings of tourmate Dan Deacon, and Gregg’s favorite mixed drink.

Scream and Light Up The Sky (Reprise / Wea). Review by Jen Cray.