Jamie Myerson
The Listen Project (Ovum). Review by Tony Coulson
The Listen Project (Ovum). Review by Tony Coulson
Feature by Julio Diaz
Multimeteor (MUD). Review by Carl Glaser
Black/Rich Music (Drag City). Review by Chad Bidwell
777 (Hypnotic). Review by drew West
Interview by David Lee Beowülf
Long Way Blues 1996 – 1998 (Matador). Review by David Lee Beowülf
In Real Time (Hungarian). Review by Ian Koss
Vértigo (WEA Latina). Review by Randy Luna
Midget Tossing (Takeover). Review by David Lee Beowülf
Working Class Joke (GMM). Review by David Lee Beowülf
Don’t Be a Stranger (NightShade). Review by David A Clark
Print Review by Charles D.J. Deppner
Various Artists (Rhino). Review by David Lee Simmons
Little Birds (Drag City). Review by Chad Bidwell
Feature by Rob Archer
Screen Review by Paulo O’Callaghan
Wishpool (Virgin Records). Review by George Jegadesh
Cyclops (A&M). Review by David Lee Beowülf
How to Live in a Day of Moral Chaos (Shoestring). Review by S.D. Fitzpatrick
With his latest book, What This Comedian Said Will Shock You, celebrated stand-up Jedi Bill Maher “shocks” readers by doing the most outrageous, unthinkable, and socially unacceptable thing imaginable: he speaks rationally, logically, and objectively.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.