- Screen Reviews
- May 17, 2019
Pahokee produces sugar cane and poverty, but some the brighter students might make it to the big time with a college degree and a new zip code.
First Class Rock Steady (17 North Parade, VP Records). Review by Generoso Fierro.
Hooray For Me (Help Yourself Records). Review by Jen Cray.
Sweet Crude brought a bit of New Orleans to Tampa. Bob Pomeroy catches up with the group.
Stay Gold (Dangerbird Records). Review by Andrew Ellis.
Belly brought lot of grit and a touch of grace to the Bowery Ballroom in NYC.
Echo En Mexico (Vampisoul). Review by James Mann.
Pendarvis Farms transforms for three extraordinary days into the fun and psychedelic fest of your wildest indie music loving dreams, Pickathon. Alexa Harris was there to experience the joys of farm life for the weekend.
Mortal Micronotz, Smash, Live, The Beast that Devoured Itself, 40 Fingers (Bar/None). Review by Scott Adams.
Stake My Claim (Don Giovanni Records). Review by Jen Cray.
I Dreamed A Role – posted by Carl Gauze on August 21, 2016 16:22
A triple bill of underground Goth, led by NYC’s Pawns, transforms Uncle Lou’s into a time machine. Jen Cray did not wear eye makeup, but she did wear a black shirt to the show.
Money Maker (Studio One). Review by Bob Pomeroy.
The Best of Bossacucanova (Six Degrees Records). Review by James Mann.
Lookin’ (Rough Beast Records). Review by Jen Cray.
A Place Called Bad (The Numero Group). Review by James Mann.
Public Hi Fi Sessions 3 (Public Hi Fi Records. ). Review by Bob Pomeroy.
Big River – posted by Carl Gauze on August 13, 2016 17:36
Is A Toad In The Rain (Exploding In Sound Records). Review by Jen Cray.
Japanese female revenge women-in-prison movies have never been so graphic.