Wild Sweet Orange
Jen Cray is bewitched by the subtle dramatics of Alabama’s Wild Sweet Orange.
Jen Cray is bewitched by the subtle dramatics of Alabama’s Wild Sweet Orange.
EP (Takeover). Review by Jen Cray.
The Underground Is A Dying Breed (Immortal). Review by Jen Cray.
Dial T for This (In Music We Trust). Review by Tim Wardyn.
Forget the scientific defintion; all you need to know about Polymer is their music. Brittany Sturges foregoes her Organic Chemistry homework to figure it out with the band.
Testing the Atmosphere (Universal). Review by Andrew Ellis.
The “Black Clouds and Underdogs Tour” brings Fall Out Boy, All American Rejects, Hawthorne Heights and other teenage poster pin-up popstars to Tampa’s youth, to their parents, and to Jen Cray.
Henry (Doghouse). Review by Daniel Mitchell.
The Ransom EP (The Militia Group). Review by Daniel Mitchell.
Dear Hot Chick (Doghouse). Review by Daniel Mitchell.
There Will Be Blood Tonight (Fugitive). Review by Daniel Mitchell.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.