Bob Mould
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
40 years on, Michael Gira and Swans continue to bring a ritualistic experience that needs to be heard in order to be believed. Featured photo by Reese Cann.
Country/rock mashup series ATLive brings Roi J. Tamkin to Atlanta’s Mercedez Benz Stadium for a night of standing ovations starring The Piano Man, Billy Joel.
A New Yorker working in Reconstruction-era Atlanta is falsely railroaded by the Southern justice system.
Soul’s Core Revisited (Soul Bird). Review by Andrew Ellis.
Slings & Arrows (SBS Records). Review by James Mann.
Tally Ho! (Wicked Cool). Review by Bob Pomeroy.
The Kills lay waste to Atlanta and Nashville, and superfan Jen Cray was there!
Nosebleed Weekend (Suicide Squeeze). Review by Jen Cray.
James Mann spent a sublime night with John Prine and Jason Isbell.
Called “The Greatest World Series of All Time”, the ‘91 Fall Classic saw two “worst to first” teams battle it out. James Mann lived it, and Wendel brings it all back.
The Great Escape EP (Secret People). Review by Carl F Gauze.
Singer/Producer Jamie Lidell plays at the EARL in Atlanta along with Twin Shadow.
Scramble (Suicide Squeeze). Review by Matthew Moyer.
Tom Waits brought his Glitter and Doom tour to Atlanta, and James Mann lived to tell the tale. The boy is changed!
Carl F Gauze takes an armchair tour through old Atlanta, courtesy of Zeus Henderson’s super-8 camera.
Living In The Future (Dirtnap Records). Review by Carl F Gauze.
Irma Thomas and Raúl Midón join the Neville Brothers at National Black Arts Festival show at Woodruff Arts Center highlighting the Generation to Generation theme of this year’s festival. David Whited gives us some perspective on the band’s ever-changing lineup
Hayes Carll shushed the loudmouths at Smith’s Olde Bar, much to David Whited’s satisfaction.
London’s Bloc Party capture the essence of a rainy summer day at Atlanta’s Music Midtown Festival, winning over a skeptical Jen Cray in the process.
Another gem in Marco Bellocchio’s oeuvre, journalism thriller Slap the Monster on Page One is as relevant today as it was in 1972.
Before there was Leather Tuscadero, Suzi Quatro was in two pioneering, all-woman rock bands in her hometown of Detroit, Michigan. This is a Quick Look at those bands: The Pleasure Seekers and Cradle.
Lily and Generoso review director Hernán Rosselli’s second hybrid-fiction crime film that artfully explores our perceived notions of family.
Lights On A Satellite: Live At The Left Bank (Resonance Records). Review by Bob Pomeroy.
Don’t let the stats fool you. Zyzzyx Road may have been the lowest grossing movie in history, but is it worth checking out? Phil Bailey explores the new 4K UHD from Dark Arts Entertainment.
In France: Live at the 1977 Nancy Jazz Pulsations Festival ( Deep Digs). Review by Bob Pomeroy.
The first film based on Junji Ito’s manga, Tomie, makes its US Blu-ray debut from Arrow Video.