- Music Reviews
- April 1, 2020
When I Was a Writer (Pravda). Review by Bob Pomeroy.
Sex EP (Dirty Hit). Review by Jen Cray.
Life Processes (Mute). Review by Andrew Coulon.
Waited Up ’til It Was Light (Nettwerk). Review by Jen Cray.
Down On Pacific (Reynolds Recording Co.). Review by Jen Cray.
Myths of the Near Future (DGC). Review by Jen Cray.
The blues-soaked, funk-sprinkled, new progressive sounds of Alaska’s Portugal The Man made an evening of mediocre bands worth it for Jen Cray.
No, Not Me, Never (Stolen Transmission). Review by Jen Cray.
A Weekend In The City (Vice). Review by Jen Cray.
Moros Eros are the most exciting band to call Victory Records home in years. Baffled as to why they were billed opening for an electro/emo artist, Jen Cray showed up at their Orlando show to congratulate them on their greatness.
They Think They Are The Robocop Kraus (Epitaph). Review by Aaron Shaul.
Yes Yes To You (Absolutely Kosher). Review by Jen Cray.
Bloc Party cancelled the rest of their US tour opening for Panic! At The Disco after drummer Matt Tong was hospitalized for treatment of a collapsed lung. Jen Cray managed to catch the band’s Orlando show, the night before the medical trauma.
I Saw The Devil Last Night And Now The Sun Shines Bright (Victory). Review by Jen Cray.
Scottish band Franz Ferdinand made a special trip across the Atlantic for a live MTV taping at Orlando’s Hard Rock Live, and Jen Cray was there.
Canadian-bred Hot Hot Heat began their North American tour with an MTV live taping at Orlando’s Hard Rock Live. Jen Cray gives us a glimpse.
London’s Bloc Party capture the essence of a rainy summer day at Atlanta’s Music Midtown Festival, winning over a skeptical Jen Cray in the process.
Dangerous Dreams (Palm Pictures LLC). Review by Kiran Aditham.