- Music Reviews
- October 11, 2019
Graveyard Island (Hellcat). Review by Scott Adams.
AM/FM. Review by Stacey Zering.
Pre-Teenage Symphony (Omnivore Recordings ). Review by James Mann.
While his polyester-clad contemporaries were cheering Thatcher and Reagan, Sir George Martin was producing Ultravox. Steve Stav remembers the legendary producer.
Geezër brought their old-school show all the way from their Miami rest home, and Julius C. Lacking thinks they were quite spry.
Red Light District (Ultradose). Review by Carl F Gauze.
The legendary REO Speedwagon joined forces with Cheap Trick’s Robin Zander to converge on Melbourne, FL’s King Center and deliver a true blue rock and roll spectacle of epic proportions.
Betrayal of Hearts (Sovereign States). Review by Matthew Moyer.
Sugar Daddy Live (Ipecac Recordings). Review by James Mann.
Country, hardcore, and power punk make for an eclectic crowd and evening — still, Carl F Gauze enjoys the unique twist of Nashville Pussy.
Rock & Roll Submarine (UO Records). Review by Sean Slone.
Lucky for us and Cherry Red Books, Dave Thompson is a HUGE Sparks fan. Matthew Moyer calls Sparks: No. 1 Songs in Heaven his strongest piece of writing yet.
After 30 years in the music industry, producer, songwriter and musician Larry Dvoskin has released a set of his own music. Gail Worley finds out why it took so long.
Live on the Sunset Strip (Stax). Review by Scott Adams.
Is and Always Was (High Wire Music). Review by James Mann.
Alex Chilton died March 17 in New Orleans. James Mann remembers the man who gave so much to so many.
Orlando, Florida’s Megaphone wraps up an amazing year with a high energy hometown show.
Live At Budokan (Epic/Legacy). Review by Scott Adams.
Good Night Glamour, Good Morning Disaster (Near Music). Review by Andrew Ellis.
Cooler by the Lake (Rory Lake Presents). Review by Carl F Gauze.