- Music Reviews
- December 3, 2020
Accelerate Every Voice (Pyroclastic Records). Review by Bob Pomeroy.
Stars of Track & Field may have been merely the opening band, but for Jen Cray the night belonged to the Portland trio.
Free to Stay (Barsuk). Review by Aaron Shaul.
III (Domino). Review by Jen Cray.
Putting the Days to Bed (Barsuk). Review by Sean Slone.
A featured profile in both the local weekly and in the Orlando Sentinel newspaper helped to pack The Social for The Oaks‘ first ever headlining gig. Jen Cray was amongst the crowd to lend her support.
Sleep Inside This Wheel (I Eat). Review by Aaron Shaul.
Appropriately booked at a college campus, Seattle’s shoegazers Death Cab For Cutie rolled into Orlando for a crowded show at the UCF Arena. Jen Cray found their inimate sounds rather impersonal inside the too big space.
Volume 1 (The Kora Records). Review by Sean Slone.
It’s Gail Worley‘s annual List of the Top 19 Quotes from Interviews she conducted with various Rock Types in 2005!
Morning Kills the Dark (Pop Up). Review by Aaron Shaul.
White Houses (Greyday Productions). Review by Rob Levy.
The (Im)possibility of Longing (Noreaster). Review by Tim Wardyn.
Ten Years of Fierce Panda (Fierce Panda / Brash). Review by Stein Haukland.
Compilation,Brothers and Sisters,Cerebra,This is the Last Time,Decade,Ten Years of Fierce Panda,Fierce Panda / Brash,Stein Haukland
Systems Officer (Ace Fu). Review by Aaron Shaul.
indie rock,indie-pop,emo,lush,Systems Officer,Systems Officer,Ace Fu,Aaron Shaul
How Good We Had It (BiFocal Media). Review by Daniel Mitchell.
Grand Unified Theory (Undetected Plagerism). Review by Carl F Gauze.
Transatlanticism (Barsuk). Review by Aaron Shaul.
The Summer of the Lion, The Summer of the Lamb (We Want Action). Review by Aaron Shaul.