Swallow The Anchor. Review by Carl F Gauze.

Keep It Together (Sorted Noise). Review by Carl F Gauze.

Dark Night of the Soul (Fat Possum). Review by Carl F Gauze.

The Detroit Rebellion of ‘67 EP. Review by Carl F Gauze.

Find the One (Prima Records). Review by Carl F Gauze.

Perlas (Fire Records). Review by Matthew Moyer.

Sound The Drum (The Collective CA). Review by Carl F Gauze.

Jail House Bound: John Lomax’s First Southern Prison Recordings, 1933 (Global Jukebox / West Virginia University Press). Review by Carl F Gauze.

It’s tough being Richard Thompson. Luckily he decides to disregard the past and stay firmly rooted in the now with a sparkling set of new songs.

Through Low Light And Trees (Year 7). Review by Matthew Moyer.

Red Sugar (Sub Rosa). Review by Carl F Gauze.

Prepare for Black & Blue (Ruffshod Records / Nettwerk). Review by Al Pergande.

Chapin Sisters Two (Lake Bottom). Review by Matthew Moyer.

Pumice’s Stefan Neville talks with Aaron Shaul about his unique fusion of catchy pop and guttural noise, the pains of self-releasing music, and his exponentially growing discography.

The Horse Power EP (Quite Scientific Records). Review by Carl F Gauze.

Impressionistic Michigan documentarians Frontier Ruckus make time in their infinite tour schedule to help Aaron Shaul better understand the opaque beauty of their newest album Deadmalls & Nightfalls.

Tin Can Trust (Shout! Factory). Review by Carl F Gauze.

No Ghost (Bella Union). Review by Jeff Schweers.

In Person and on Stage / Broken Hearts and Dirty Windows (Oh Boy Records). Review by Carl F Gauze.

Tim Footman’s biography describes the sexual, intellectual, depressing romantic that is Leonard Cohen, leaving Jessica Whittington no choice but to put a little whipped cream on it and eat every word with a spoon.