Generoso speaks with director Corneliu Porumboiu about his new film, an intricate, comedic noir, The Whistlers, which was selected as the Romanian entry for the Best International Feature Film at the Academy Awards.
Generoso reviews the astute and prophetic feature, No Place Like Home, Jamaican director Perry Henzell’s long-awaited follow up his cult classic, The Harder They Come, which has been recently restored and is celebrating a short theatrical run and Blu-ray release.
A culmination of a decade of production and featuring the brilliant performances of four actresses realized in six episodes with a running time of 14 hours, director Mariano Llinás’ La Flor is a bold cinematic exploration of fiction filmmaking.
Willem Dafoe stars in Abel Ferrara’s look at director and writer Pasolini.
With the upcoming release of his eagerly awaited new album, 99 Cent Dreams, soul singer Eli “Paperboy” Reed speaks in depth about his songwriting process and working with the legendary vocal group, The Masqueraders, and Grammy winning producer, Matt Ross-Spang, with Generoso Fierro.
Generoso Fierro reviews Italian-English director Franco Rosso’s uncompromised masterpiece about racial tensions in late 70s London, Babylon, which arrives to US theaters for the first time on March 8th.
The winner of the Golden Bear at the 2018 Berlinale, Touch Me Not, Adina Pintilie’s experimental feature, challenges conventions while examining the fear of intimacy.
Generoso speaks with director, Talal Derki, about his Academy Award for Best Documentary Feature nominated film, Of Fathers and Sons.
Tyrel is the new feature by controversial Chilean director, Sebastián Silva, who here invites you to spend a weekend with the film’s African-American protagonist while he suffers through an alcohol-fueled and epically awkward birthday celebration.
Dead Horse Nebula director, Tarik Aktaş, speaks with Generoso Fierro about his AFI Fest 2018-selected debut feature.
Generoso spoke with director Alice Rohrwacher at AFI Fest 2018 about her award-winning third feature, Happy as Lazzaro.
Generoso Fierro speaks with director Andrey Zvyagintsev of Loveless, the winner of the 2017 Jury Prize at Cannes.
Director Douglas Seok gives a glimpse of the past and the future of Cambodia in his new film.
Prior to a screening of screening of his underappreciated 1972 revisionist western, The Great Northfield Minnesota Raid, director Philip Kaufman sat down with film critic Stephen Farber for a conversation.
That Trip We Took With Dad is the debut feature by acclaimed Romanian short film director Anca Miruna Lǎzǎrescu. Generoso Fierro sat down with Lǎzǎrescu during SEEFest to discuss the comedy and drama within the adaptation of her deeply personal family story for the screen.
Lily and Generoso Fierro interview Producer Kyle Martin and Director Kris Avedisian about their film, Donald Cried.
One of the biggest surprises of this year’s AFI Fest came with Buster’s Mal Heart, the impressive second feature by director Sarah Adina Smith that stars Rami Malek, Kate Lyn Sheil, and DJ Qualls. Generoso Fierro spoke at length with Smith about the film, its Y2K era setting, and the race and class discussions contained within.
Prince Buster, the legendary soundmaker, has died. Generoso Fierro recounts his monumental life and career.
First Class Rock Steady (17 North Parade, VP Records). Review by Generoso Fierro.
In a fascinating look at Mexican cinema and its culture, Generoso and Lily Fierro review Yo and speak with the film’s director, Matías Meyer, about his newest work and his diverse filmography.
Performance Art for the quarantined.
When I Was a Writer (Pravda). Review by Bob Pomeroy.
