City of the Living Dead
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Cauldron Films’ new UHD/Blu-ray release of Lucio Fulci’s City of the Living Dead (1980) preserves one of the best Italian horror films, according to Phil Bailey.
Synapse Films reissues Lamberto Bava’s epic ’80s gore-filled movies Demons and Demons 2 in beautiful new editions.
Lucio Fulci’s gore classic comes to life on this 3 disc Blu-ray release.
Catching up on some video reviews and finding some hidden treasure on streaming.
A look ahead to some upcoming Blu-Ray releases of old cult movies, thoughts on the Halloween reboot, and a look back at Paragon Video trailers.
H.G. Lewis’ southern-fried splatter classic gets the deluxe Blu-Ray treatment from Arrow Films.
The Soultangler, a mid ’80s DIY horror film gets a lovingly restored Blu-ray release from AGFA.
Arrow Films releases two different versions of Edgar Allan Poe’s short story “The Black Cat,” done by two master genre filmmakers.
Arrow Films releases another pair of exploitation classics, a stylish Yakuza film and a ’80s body horror film.
Outrageously over-the-top homage to ’70s grindhouse movies, Disco Exorcist is loaded with nudity, gore and disco.
Mad Surgeons, pools of red vomit, and enough guitar feedback to make your ears bleed. Exhumed gives Matthew Moyer a reason to walk in to a Cannibal Corpse show.
Mr. Sasquatch terrorizes a small town – and perhaps Carl F Gauze – after a poacher traps him by mistake.
After a long absence from the genre that he innovated, Joe Frietze witnesses George Romero’s return, to teach the young pups how to make a zombie movie. Land of the Dead hits on all cylinders, serving up classic scares while still moving his overall story along.
The Wretched Spawn (Metal Blade). Review by Daniel Mitchell.
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Chuck Bantam is betrayed by the fickle mistress nostalgia when he picks up the DVD reissue of Return of the Living Dead Part III.
David T. Lindsay isn’t afraid to tell you what he believes, no matter how politically incorrect some may find his ideas.
Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.