Halloween 2020
Sound Salvation is resurrected with a howlingly good Halloween playlist that will weak the dead at your All Hallow’s Eve bash.
Sound Salvation is resurrected with a howlingly good Halloween playlist that will weak the dead at your All Hallow’s Eve bash.
Five Minutes to Live: A Tribute to Johnny Cash (Saustex Records). Review by James Mann.
For Blood and Wine. Review by Matthew Moyer.
Oh My God, Charlie Darwin (Nonesuch). Review by Matthew Moyer.
There’s only one man whose swagger can quiet a crowd of 600,000 people on the cusp of rioting. His name is Leonard Cohen , and once again the poet/musician surfaces from images of the past.
Bell Ord Forrest (Joyful Noise). Review by Matthew Moyer.
Infinite Light (JagJaguwar). Review by Matthew Moyer.
Enemy Mine (Jagjaguwar). Review by Matthew Moyer.
Phosphorescent bathed Jacksonville in a pool of saturated country rock, fairly drenching Matthew Moyer in the glory.
Matthew Moyer believes that this new Lydia Lunch DVD retrospective provides a fine primer for a life well-lived on the fringes of art and expression.
Stranded in Stereo Volumes 9 & 10 (Stranded in Stereo). Review by Tim Wardyn.
The Harlequin EP (Highwheel). Review by Matthew Moyer.
The Conspiracy Against Us (Midriff Records). Review by Matthew Moyer.
Watch The Light Fade (Tarnished Records). Review by Matthew Moyer.
The Spell (Touch & Go). Review by Aaron Shaul.
“If you want to dance, go on and fucking dance!” How could Heather Lorusso resist such an entreaty from Warren Ellis and the Dirty Three?
A dangerously high-quality DVD release of a Bad Seeds gig at Le Transbordeur, Lyon, France, 8th June 2001… Matthew Moyer is transported and somehow manages to get in a review from the other side.
American Supreme (Mute Records). Review by Matthew Moyer.
Outsight Ambiances Magnetiques And Other Blips Tom “Tearaway” Schulte brings the Outsight faithful an assessment of the Ambiances Magnetique label, perhaps the most tightly compressed country music rundown ever, and a legion of cd reviews from the man who has everything. No seriously, it looks like he’s covered everything.
Blood, guts, and kicking butt in France — it’s the age-old story of Shakespeare. Carl F. Gauze once again enjoys the salacious violence and complicated plot points of Henry V, in the moody dark of Orlando Shakes.
Infidelity, agoraphobia and Ice Capades. Carl F. Gauze attempts to find an answer to the question “How Florida can you get?” in The Great American Trailer Park Musical at Theater West End.
Jeremy Glazier catches Ian Noe at the Rust Belt, where they discuss putting Between the Country together, some of the influences that affect Noe’s songwriting, and his dislike of EPs.
Christopher Long scores an absolutely ravaged vinyl copy of the 1977 self-titled debut from Karla Bonoff at a Florida flea market — for FREE!
Carl F. Gauze reviews this comprehensive look at the early works of Muppets creator Jim Henson by Craig Shemin.
Robert Pomeroy tracks down a long lost album on the web and catches up with two other bands on Facebook.
On today’s New Music Now, Judy Craddock talks to our musical guest, Nora O’Connor, about her solo album, My Heart, and the captivating new music she’s listening to right now. Tune in for great music, and more ’90s references than you can shake a scrunchie at.
Writer Kazuo Kasahara and director Kôsaku Yamashita transcend genre conventions to create the memorable film Big Time Gambling Boss. Phil Bailey reviews.
Frank Bello’s new memoir Fathers, Brothers, and Sons: Surviving Anguish, Abandonment, and Anthrax takes us from a New York childhood, to Anthrax stadium tours, to fatherhood with the charming informality of a conversation with an old friend. Then I’m Gone, Bello’s first solo EP, provides accompaniment. Joe Frietze reviews.
Savvy shopper Christopher Long scores a dodgy-looking copy of the Crosby, Stills, Nash & Young classic, Déjà Vu, on fairly decent-sounding vinyl — for just 50¢.
Carl F. Gauze caught a certain trio of android warrior sisters at the Enzian’s Robotica Destructiva premiere.
Brevard County showed their support for music in the community as nearly five thousand people attended the 2022 Space Coast Music Festival.