Anecdotes and high level analysis of the DIY punk culture reveal what we’ve known all along: Punks just wanna have fun. But a good fight is OK as well.

Midnight Twilight (Autumnsongs Records). Review by Carl F Gauze.

Another Live Album from The Damned (Four Worlds Media). Review by Carl F Gauze.

Low-budget posters for lo-fi bands that made the 1980’s bearable in Louisville Kentucky.

The rise of punk in our nation’s capital gets chronicled in Salad Days.

This is the Sonics. Review by Scott Adams.

Devo’s 2014 “Hardcore Devo” tour showed them going back to the days before Energy Domes, hit singles, or hope of radio airplay; back to the days of like-minded weirdoes banging out songs in the basement.

Pioneering ’90s emo band Rye Coalition were close enough to stardom to taste it. So what happened?

A young man must choose between loyalty to “The Scene” and a paying career as a musician.

Collection of Devo’s live performances and videos from the late ’70s and 1996.

Wildlife (Egg). Review by Carl F Gauze.

The Both (Superego Records). Review by Scott Adams.

Book collecting 10 years of reviews, interviews, and columns from Scene Point Blank.

Metalander-Z (Chicken Ranch). Review by Carl F Gauze.

Kings of Punk (Southern Lord). Review by Scott Adams.

Simple, catchy punk band Cockney Rejects reflected the tough streets of East End, London, giving name to the Oi subgenre.

The Switchblade Kid (Miss Molly Music). Review by Matthew Moyer.

Theatre is Evil (8 ft. Records). Review by Joe Frietze.

Sonic Kicks (Yep Roc). Review by Matthew Moyer.

A fittingly ambitious film for a fittingly artistic and poetic band.