Orlando International Fringe Theatre Festival 2022—Third Report
- Archikulture Digest
- May 21, 2022
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
Let The Bloody Moon Rise (Nervous Kid Records). Review by Andrew Ellis.
Music reviews covering the critical years of rock and roll from 1967 to 1973 by critic and band manager Michael Oberman.
Tommy Emmanuel with opener Ida Mae thrilled Central Florida with an astounding acoustic performance. Michelle Wilson loved every minute of it.
Mad Lad A Live Tribute to Chuck Berry (BMG). Review by Joe Frietze.
Rise (Cleopatra Records). Review by Christopher Long.
Down To The River (BMG). Review by Michelle Wilson.
It was a night of songs and stories with Croz and friends.
NRBQ (www.omnivorerecordings.com). Review by James Mann.
Friday Night Is Killing Me (Omnivore Recordings). Review by James Mann.
Arthur Alexander (Omnivore Recordings). Review by James Mann.
Reinvented. Review by Stacey Zering.
Duende (BOH Records). Review by James Mann.
Okey Dokey (Natural Child Records and Tapes). Review by Jen Cray.
From the Big Muddy: Impressions of the New Orleans Jazz and Heritage Festival 2016
New Dawn (Wind Up). Review by Carl F Gauze.
Directly From My Heart (Specialty). Review by Scott Adams.
Directly From My Heart (Specialty). Review by Scott Adams.
1967 (Mint 400 Records). Review by Carl F Gauze.