Adam Bloom
Sugar Sweet (Indie). Review by Christopher Long.
Sugar Sweet (Indie). Review by Christopher Long.
McCartney III. Review by Julius C. Lacking.
Cabaret Showtime ( Bloodshot Records). Review by James Mann.
Big Star lives in this 1994 reunion concert.
45 RPM Singles Collection (FloEdCo). Review by James Mann.
“Antmania” is alive and well 30 years after Adam Ant’s peak, Michael Crown discovers at a sold-out Orlando gig.
Dan Sartain doesn’t really care if you know his name, or any of the songs he plays. He just came to remind you that rock ‘n’ roll can still be unsettling… and Matthew Moyer LOVES it.
A fascinating look at the melding of three seemingly disparate artists during a brief period of time that resulted in some of the most influential music to come out of the Seventies.
The Grand Theatre, Vol. 1 (New West). Review by Sean Slone.
Street Songs of Love (Concord Records). Review by James Mann.
Psychic Chasms (Lefse Records). Review by Matthew Moyer.
Wavvves (Fat Possum). Review by Matthew Moyer.
Come Back To The Five And Dime Bobby Dee Bobby Dee (Domino). Review by Carl F Gauze.
With a stage show more akin to performance art than rock concert, Of Montreal is anything but subtle. Jen Cray did not wear a pink leotard or face paint to the Orlando show, but she enjoyed it all the same.
How do you dethrone the “King of Pop”? Let the current king disappear to Bahrain and get sued for $7 million by an Arab sheik; take your kaleidoscopic and playful songs to California’s Westlake Studios where Michael Jackson recorded Thriller; or simply be a boy named Pop. Pop Levi goes 2 of 3 and emerges with Never Never Love, an album shot through with the ghosts of Prince, MJ, and R. Kelly. S D Green and the musical shape-shifter talk the process of Pop.
American Inquisition (Season of Mist). Review by Matthew Moyer.
Cover Up (Megaforce/13th Planet). Review by Kiran Aditham.
For their second trip to Orlando in just three months time, Portugal the Man took a backseat in billing (to Rock Votolato), and quietly appeared as an opener at the same venue that they had previously sold out on their own. Jen Cray was back for a second helping of these Alaska boys.
Scientific Cricket (Joyful Noise). Review by Aaron Shaul.
At Rear House (Shrimper). Review by Matthew Moyer.
For Lily and Generoso, 2023 was a fantastic year at the cinema! They select and review their ten favorite films, six supplemental features, and one extraordinary repertory release seen at microcinemas, archives, and festivals.
The hidden gem of the French New Wave, Le Combat Dans L’île gets a lovely Blu-ray from Radiance Films.
This fall, Ani DiFranco brought new Righteous Babe labelmate Kristen Ford to Iowa City, where Jeremy Glazier enjoyed an incredible evening of artistry.
This week Christopher Long grabs a bag of bargain vinyl from a flea market in Mount Dora, Florida — including You’re Never Alone with a Schizophrenic, the classic 1979 LP from Ian Hunter.
Bob Pomeroy gets into four Radio Rarities from producer Zev Feldman for Record Store Day with great jazz recordings from Wes Montgomery, Les McCann, Cal Tjader, and Ahmad Jamal.
Bob Pomeroy digs into Un “Sung Stories” (1986, Liberation Hall), Blasters’ frontman Phil Alvin’s American Roots collaboration with Sun Ra and his Arkestra, the Dirty Dozen Brass Band, and New Orleans saxman Lee Allen.
Roi J. Tamkin reviews A Darker Shade of Noir, fifteen new stories from women writers completely familiar with the horrors of owning a body in a patriarchal society, edited by Joyce Carol Oates.
Mandatory: The Best of The Blasters (Liberation Hall). Review by Bob Pomeroy.
Feeling funky this week, Christopher Long gets his groove on while discovering a well-cared-for used vinyl copy of one of his all-time R&B faves: Ice Cream Castle, the classic 1984 LP from The Time, for just a couple of bucks.
During AFI Fest 2023, Lily and Generoso interviewed director Lkhagvadulam Purev-Ochir, whose impressive debut feature, City of Wind, carefully examines the juxtaposition between the identity of place and tradition against the powers of modernity in contemporary Mongolia.
Juliana Hatfield Sings ELO (American Laundromat Records). Review by Laura Pontillo.