Rooney
Rooney found a whole new audience after opening up for The Jonas Brothers on their sold-out arena tour last year. Jen Cray found herself surrounded by pre-teen girls at the band’s recent Orlando gig.
Rooney found a whole new audience after opening up for The Jonas Brothers on their sold-out arena tour last year. Jen Cray found herself surrounded by pre-teen girls at the band’s recent Orlando gig.
The Boxmasters (Sawmill Records/ Vanguard Records). Review by Tim Wardyn.
Seventh Tree (Mute Records). Review by Matthew Moyer.
Envoy of Lucifer (Regain Records). Review by Matthew Moyer.
Keeper of Youth (SideCho). Review by Jen Cray.
Chris Catania has a candid talk with Daniel Johnston , musician, artist, and most recently, the inspiration behind Infernal Bridegroom’s rock opera, Speeding Motorcycle.
Daughters and Suns (Magic Marker). Review by Aaron Shaul.
Santiago’s Vest (Electrokitty Records/In Music We Trust). Review by Tim Wardyn.
Dandelion Gum (Graveface). Review by Aaron Shaul.
The Redwalls (Mad Dragon). Review by Jen Cray.
Freedom Suite (Collector’s Choice Music). Review by Carl F Gauze.
Young Modern (Eleven). Review by Jen Cray.
The Young Rascals (Collector’s Choice). Review by Bob Ham.
Hey You (Starlit Records). Review by Andrew Ellis.
Groovin’ (Collector’s Choice). Review by Carl F Gauze.
The Busy Signals (Dirtnap). Review by Jen Cray.
Aficionado! (Grass Roots). Review by Jen Cray.
The Hits of 1967 (Time Life). Review by James Mann.
Memory Almost Full (MPL Communications LTD). Review by Christopher Long.
Bob Ham takes a look at this furiously positive and lopsided look at the musical career of a living legend.
Joe Jackson brought his Two Rounds of Racket tour to the Lincoln Theatre in Washington D.C. on Monday. Bob Pomeroy was in the area and caught the show.
A Beach of Nightly Glory (Metropolitan Groove Merchants). Review by Rose Petralia.
With only a week to go before powerful new feature Louis Riel or Heaven Touches The Earth premieres in the Main Slate at UNAM International Film Festival, Lily and Generoso sat down for an in-depth conversation with the film’s director, Matías Meyer.
Carl F. Gauze reviews the fascinating Mostly True: The West’s Most Popular Hobo Graffiti Magazine, a chronicle of forgotten outsider subculture.
The Winter Park Playhouse explores the life of George M. Cohan and his landmark contributions to the American Songbook.
Anthony Mann’s gorgeous monochrome western, The Tin Star, may have been shot in black and white, but its themes are never that easily defined.
Charles DJ Deppner finds Flipside to be a vital treatise on mortality, creativity, and purpose, disguised as a quirky documentary about a struggling record store.