The Bishops
The Only Place I Can Look is Down EP (I Am Sound). Review by Jen Cray.
The Only Place I Can Look is Down EP (I Am Sound). Review by Jen Cray.
Three (In Music We Trust Records). Review by Tim Wardyn.
You’re My Lover Now (Park The Van). Review by Jen Cray.
Tied And True (Bloodshot). Review by Jen Cray.
Everybody Else (The Militia Group). Review by Jen Cray.
Diamonds in the Rough (Gravitation). Review by Aaron Shaul.
The last we saw Dr. Dog , they were opening for The Raconteurs. Jen Cray couldn’t resist seeing how their inspired 30-minute set translated to a full set on a stage of their own.
The Dears’ mighty guitarist Patrick Krief has stepped up to the plate to write, perform and produce his very first solo effort. Just a week before the release of his debut solo work, and while still on the road with his band, he took the time to talk with Jen Cray.
The four perfectionists who run the Summerbirds In The Cellar machine consistently put on the best show of any Central Florida band I’ve seen. Billed behind them on a late night gig at Orlando’s BackBooth was Attached Hands , For Ex Lovers Only , Derek Lyn Plastic. Staying until the very late, late end was Jen Cray.
EP (Self-Released). Review by Jen Cray.
Topaz Rarities (Self-Released). Review by Kyrby Raine.
Intentionally stepping down from arenas to clubs, Incubus swept into Orlando to play before a crowd that had sold out in just 5 minutes time. Along for the ride, for his solo debut, was Strokes’ guitarist Albert Hammond Jr. It was not a show Jen Cray would miss.
Friendly Fire (Capitol Records). Review by Matt Parish.
James Brown passed away on Christmas Day. Or did he? James Mann ponders the Godfather of Soul.
Inside In/Inside Out (Astralwerks/EMI). Review by Ben Varkentine.
Start of the Century (The Lab). Review by Carl F Gauze.
Talking with Sienna DeGovia , vocalist/bassist for The Randies , is like chatting with a friend, as Jen Cray found out recently.
With catchy lyrics and humble attitude, the guys of Fat City Reprise are on their way to something big. Brittany Sturges hangs with the guys in the studio.
High School (City Canyon). Review by Jen Cray.
Sophomore Jinx (Sonic Smack Records). Review by Kyrby Raine.
With his latest book, What This Comedian Said Will Shock You, celebrated stand-up Jedi Bill Maher “shocks” readers by doing the most outrageous, unthinkable, and socially unacceptable thing imaginable: he speaks rationally, logically, and objectively.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.