Marty Stuart & His Fabulous Superlatives
Altitude (Snakefarm). Review by Jeremy Glazier.
Altitude (Snakefarm). Review by Jeremy Glazier.
Carnage Bargain (Suicide Squeeze). Review by Bob Pomeroy.
Out Of The Box. (Omnivore) Review by Jeremy Glazier.
The Grateful Dead — 50th Anniversary Deluxe Edition (Rhino Records). Review by James Mann.
Okey Dokey (Natural Child Records and Tapes). Review by Jen Cray.
1967 (Mint 400 Records). Review by Carl F Gauze.
Dharma Blues (Omnivore Recordings). Review by James Mann.
Coexist (Young Turks). Review by Jen Cray.
The Cult turns the House of Blues in Orlando into the House of Good Mojo, not only delivering a killer set themselves, but allowing for Florida fans to get their first taste of a brand new stage of Against Me.
Scandinavian Nights, in Concert 1970-1972, Live in London, and MK III: The Final Concerts (Eagle Rock Entertainment). Review by Al Pergande.
McCartney and McCartney II (Reissued) (MPL communications). Review by Tim Wardyn.
Dum Dum Girls top a promising indie rock bill that woos Jen Cray into downtown Orlando in the midst of St. Paddy’s Day madness.
Carl F Gauze reviews this extremely thorough biography of an obscure but groundbreaking musician from the glory days of Sunset Strip.
Rio Ranger EP (Quite Scientific). Review by Aaron Shaul.
Jen Cray is delighted to report that Green Day has morphed into an unstoppable rock ‘n’ roll band, capable of holding entire arenas of fans in the palm of its collective sweaty hand. Whether you believe it or not is up to you.
Dark Days/Light Years (Rough Trade Records). Review by Tim Wardyn.
William Weikart , the mastermind behind the band Obscured by Clouds , is one literate and surprising person. Tim Wardyn unveils Weikart’s impressive cast of influences (including Chris Cornell and Baroque music), how ex-girlfriends contributed to one of the best songs on their album Psycheclectic, and how his bandmate Thee Slayer Hippy got his name.
Carl F Gauze rounds up the best of those who left us last year. If there’s a more perfect number than nineteen, we’ve yet to find it!
Out Here + False Start (Collectors’ Choice). Review by Jessica Whittington.
Matthew Moyer spends a quiet night in with TSOL.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.