- Music Reviews
- October 22, 2020
False God (Fangbite Records). Review by Bob Pomeroy.
An enthusiastic Hot Water Music set fails to revive a House of Blues audience left in the lurch by a no-show Naked Raygun.
Can’t Come Down (Rainbow Quartz). Review by Eric J. Iannelli.
The Air Salesman (International Hits). Review by Jen Cray.
Dear Independence (Tvt). Review by Jen Cray.
Year Long Disaster (Volcom). Review by Jen Cray.
The Only Place I Can Look is Down EP (I Am Sound). Review by Jen Cray.
You’re My Lover Now (Park The Van). Review by Jen Cray.
Everybody Else (The Militia Group). Review by Jen Cray.
Bang Bang You’re Dead EP (Vertigo/Interscope). Review by Jen Cray.
The last we saw Dr. Dog, they were opening for The Raconteurs. Jen Cray couldn’t resist seeing how their inspired 30-minute set translated to a full set on a stage of their own.
The four perfectionists who run the Summerbirds In The Cellar machine consistently put on the best show of any Central Florida band I’ve seen. Billed behind them on a late night gig at Orlando’s BackBooth was Attached Hands, For Ex Lovers Only, Derek Lyn Plastic. Staying until the very late, late end was Jen Cray.
Hissing Fauna, Are You The Destroyer? (Polyvinyl). Review by Jen Cray.
Wired (Marque Records). Review by Kyrby Raine.
Broken Boy Soldiers (Third Man/ V2). Review by Jen Cray.
Slow Ride (Inside Sounds). Review by Joe Frietze.
The Vice and Virtue Ministry (Undeniable). Review by Aaron Shaul.
Essex Hideaway (Bongo Beat). Review by Bob Pomeroy.
The Art of Rolling (TVT). Review by Aaron Shaul.
Tom Schulte hears the bad CDs so you don’t have to. Herein are paragraphs on the good ones.
fake sountrack,'60's rock,punk,folk,Penelope Houston,The Pale Green Girl,DBK Works,Aaron Shaul