Orlando International Fringe Theatre Festival 2022—Third Report
- Archikulture Digest
- May 21, 2022
More theater hi-jinx from Orlando International Fringe Theatre Festival in the muggy month of May, from Carl F. Gauze.
It’s a perfect time to bring Sound Salvation to a wider audience via the Internet, albeit in a different form.
The Story of the Most Influential Radio Station in America
For the Kids (Partisan Records). Review by Jen Cray.
Tired of Tomorrow (Relapse Records). Review by Jen Cray.
International (Sacred Bones Records). Review by Alexa Harris.
International (Sacred Bones Records). Review by Alexa Harris.
Despite being dissolved for over two decades, Fletcher discovers how The Smiths, a band of four working-class kids from Manchester, created a fanatical following and left an iconic legacy that changed the music world.
LP (Susstones). Review by Carl F Gauze.
Hollow (Frenchkiss Records). Review by Eli Didier.
Covers 80’s. Review by Tim Wardyn.
Belong (Slumberland). Review by Scott Adams.
Forget (Terrible Records). Review by Jen Cray.
Memories of an Echo. Review by Robert Sutton.
Medicine Show (Water ). Review by James Mann.
Brit-Pop darlings James have reunited with their incomparable frontman Tim Booth and are flooding American shores with their timeless pop songs. Jen Cray caught the first wave at Orlando’s House of Blues.
Goodbye, Killer (Ashmont Records). Review by Sean Slone.
Never Cry Another Tear (Original Signal). Review by Sean Slone.