Let’s head down to Music Row in Nashville!
A Young Man’s Country. Review by James Mann.
Shooter Jennings (New Elektra). Review by Jeremy Glazier.
To The Sunset (Silver Knife Records). Review by James Mann.
Mid-Century Sounds: Deep Cuts from the Desert, Vol. 1 (Fervor Records). Review by James Mann.
Panhandle Rambler (Rack ‘Em Records). Review by James Mann.
Born, Raised & Live From Flint (Bloodshot Records). Review by James Mann.
Old 97’s & Waylon Jennings (Omnivore Recordings). Review by James Mann.
High Top Mountain (High Top Mountain Records). Review by James Mann.
Live at Billy Bob’s Texas (Smith Music Group). Review by James Mann.
Long Gone Daddy (Curb). Review by Carl F Gauze.
Bruno MacDonald aims for a paper wiki of rock history, showing the connections that casual fans might miss, in this interesting take on the history of rock ‘n’ roll.
The Grand Theatre, Vol. 1 (New West). Review by Sean Slone.
Crazy Heart - Original Motion Picture Sound Track (Fox Search Light / New West). Review by Al Pergande.
Jeff Bridges transforms Crazy Heart from a story everyone’s heard before into something that might be special enough to turn the heads of a select few.
A Picture of Me - Nothing Ever Hurt Me (American Beat Records). Review by Matthew Moyer.
Bad Days Ahead (In Music We Trust). Review by Tim Wardyn.
The Real Deal (Compadre Records). Review by Tim Wardyn.
The Burning South (Devil Doll Records). Review by Matthew Moyer.
The Dirty South (New West Records). Review by Joe Frietze.
Recently on Ink 19...
Just in time for the heavy metal Christmas shopping season, European author Alexandros Anesiadis delivers his latest — a thorough and riveting encyclopedia-type account of the hard-working DIY American bands that created an important underground music scene that’s well worth remembering.