Living Dead Girl
Exorcism (DistroKid). Review by Joe Frietze.
Exorcism (DistroKid). Review by Joe Frietze.
John 5 and the Creatures give a class in Guitar God 101 at the Social.
Venomous Rat Regeneration Vendor (Zodiac Swan). Review by Joe Frietze.
A little musical mojito over classic songs goes a long way, and that’s the secret ingredient for Rodrigo y Gabriela’s success in wooing the heart of May Terry.
Blackheart Revolution (G-Force/MVD Entertainment). Review by Jen Cray.
Educated Horses (Geffen). Review by Joe Frietze.
Rob Zombie brings his skulls, clown heads, and robots to Orlando for a sold-out spectacle for the lucky 2,000 who were able to get tickets. And Jen Cray was one of two people who got to take photographs.
Go For It… Live! (Steamhammer / SPV). Review by Stein Haukland.
We’ve Come For You All (Sanctuary). Review by Van Sias.
It’s Not The Heat, It’s The Humanity (Small Stone). Review by Stein Haukland.
Beyond the Valley of the Murderdolls (Roadrunner). Review by Daniel Mitchell.
Revolution Wheel (Sanctuary). Review by Daniel Mitchell.
Various Artists (Smackdown / Columbia). Review by Matthew Moyer.
88 Films gives new life to The Lady Assassin, Tony Lou Chun-Ku’s delightful mix of kung fu, Wuxia swordplay, and palace intrigue.
Alfred Sole’s Alice, Sweet Alice is a very Generation X movie, mirroring our 1970s lives in important and disturbing ways. Phil Bailey reviews the new 4K UHD version.
In 1977, Here at Last… Bee Gees …Live cemented the Bee Gees’ budding reputation as world-class master songsmiths. 46 years later, longtime Ink 19 writer Christopher Long nabs a well-loved $6 vinyl copy at a Florida flea market — replacing his long-loved and lost-to-the-ages original record.
All-American music legend Bonnie Raitt played the Riverwind Casino Showplace Theatre in Norman, Oklahoma, recently while on her Live 2025 international concert tour. Longtime Ink 19 contributor Christopher Long was there and got the goods.
“Little Dreaming” (Darkroom / Polydor / Capitol). Review by Danielle Holian.
Everything Changes, Everything Stays the Same (Tapete Records). Review by Peter Lindblad.
Stories I Only Tell My Friends (Blackbird Records). Review by Bob Pomeroy.