The Record Company
Feels So Good ( TRC Records). Review by James Mann.
Feels So Good ( TRC Records). Review by James Mann.
Ty Segall, fuzzmeister of psychedelic lo-fi garage rock, shows no signs of slowing down his Mach 3 musical momentum, as May Terry witnessed during his concert at Webster Hall, NYC.
Just a Dream (Telarc). Review by Carl F Gauze.
A detailed guide to all things metal during the early 2000s.
Live in Germany - 1980 (Eagle Records). Review by Christopher Long.
Keys to the Kingdom (Songs of the South). Review by James Mann.
Warp Riders (Kemado Records). Review by Scott Adams.
OK Go and opening acts The Booze and Earl Greyhound rock Firestone Live in Orlando.
DJ-Kicks (!K7 Records). Review by Carl F Gauze.
Dr. Dog’s recent concert at Orlando’s Social conjures up both Frampton Comes Alive and Flavor of Love for S D Green. Believe it or not, this is a good thing.
He declared “I’m A Man” and by damn, he was. Bo Diddley passes away at the age of 79, and James Mann takes a look at the man and the beat.
The Detroit Cobras are all about reviving the essence of early rock ‘n’ roll, from the rockabilly roots of the 50’s to the soulful days of Motown. Jen Cray catches up with them in Orlando.
Foghat Live 2 (Foghat). Review by Matt Parish.
The Last Men on Earth (Small Stone). Review by Stein Haukland.
Mescalero (RCA Records). Review by James Mann.
Hung Like Horses (Underdogma). Review by Stein Haukland.
Moses Guest (Aufheben). Review by Vinnie Apicella.
Woodshedding (Parasol). Review by Stein Haukland.
Keep It Coming (Fat Possum). Review by James Mann.
Hell or High Water (Telarc). Review by James Mann.
The Best of hackedepicciotto (Live in Napoli) (Mute). Review by Peter Lindblad.
Ink 19’s Randy Radic spoke with C.L. Turner of the band Arctic Wave to discuss the latest single, inspirations, and next directions.
Featured image courtesy of Present PR
Radiance Films resurrects a trio of ghostly mid-century Japanese films for their Daiei Gothic: Japanese Ghost Stories Blu-ray box set.
Haunted Underground Classics (RockBeat Records). Review by Charles DJ Deppner.