“Antmania” is alive and well 30 years after Adam Ant’s peak, Michael Crown discovers at a sold-out Orlando gig.

Family Tree (CamJazz). Review by James Mann.

Side Show - posted by Carl Gauze on October 30, 2012 21:17

The North (Ato Records). Review by Anna Allred.

Ani DiFranco brings Orlando, and Jen Cray, to levels of enjoyment not often felt in the company of so many others.

Very Best of Wes Montgomery (Riverside / Concord Music Group). Review by Carl F Gauze.

Flutes, leather vests on bare skin, werewolf songs, and kids on stage. It’s not your average recipe for a rock show, but then, as Matthew Moyer points out, Faun Fables is not a rock band.

The Very Best Of (Riverside / Concord Music Group). Review by Carl F Gauze.

An Evening with Robert E. Lee & An Evening with Ulysses S. G - posted by Carl Gauze on October 28, 2012 21:44

Dame Edna - posted by Carl Gauze on October 28, 2012 12:40

Spot Light Cabaret with Chris Leavy - posted by Carl Gauze on October 27, 2012 17:47

Rosenkopf (Wierd). Review by Matthew Moyer.

OFF! is not your average over-the-hill rock band out to capitalize on past glories. With Keith Morris at the helm, they’re jet-propelled, as Matthew Moyer found out.

The End (Peaceville). Review by Matthew Moyer.

May Terry ponders growing beyond riot-grrlism as the Corin Tucker Band plays The Mercury Lounge in New York City.

Big Beat ‘59 (Rifle Bird Records). Review by Carl F Gauze.

Riverboat Gamblers can always be counted on to give fans a live music aurogasm, and Jen Cray can always be counted on to cheer them on whenever they play her hometown.

45 Grave is a monthly column dedicated to a physical music medium that is way too fun to go quietly into digital limbo, no matter how eagerly cloud zombies want to fashion the coffin.

Art History (Vagrant). Review by Carl F Gauze.

Jared Campbell shouts praises of Beats Antique and Lynx from the mountian tops, after experiencing their live shows in Orlando.