Screaming Room 001: St. Maud
Our latest episode is a candid conversation about Saint Maud, a new A24 film from writer/director Rose Glass, with Ink 19’s Phil Bailey and Josh Martin.
Our latest episode is a candid conversation about Saint Maud, a new A24 film from writer/director Rose Glass, with Ink 19’s Phil Bailey and Josh Martin.
A simple first date spirals out of control in the hilarious dating musical.
Today’s episode features Iowa City musician Brian Johannesen, Rachel Waters of Hawkeye Wrestling Club RTC, and Ink 19’s own Jeremy Glazier having the most positive music conversation on the internet right now—never mind that half of their favorite songs involve misery.
Americana (Louisiana Red Hot). Review by Bob Pomeroy.
Plush (Pavement Entertainment). Review by Christopher Long.
Friendship weathers the ups and downs of our personal relations.
Brown Acid: The Thirteenth Trip (Riding Easy). Review by Scott Adams.
Sonic Earth (Glacial Movements). Review by Carl F. Gauze.
For quite some time, the Mommyheads have delivered the sort of complex pop and lyrical insight that fills in the cracks and gaps in your musical thinking with new ideas and sounds.
The great American Songbook, circa early 20th century.
Space 1.8 (Warp Records). Review by Bob Pomeroy.
A fading film star still can turn up the heat in this outrageous comedy.
A parody musical about a parody musical about a parody religion.
Flood Twin. Review by Bob Pomeroy.
Native Sons (New West). Review by Julius C. Lacking.
Sugar Sweet (Indie). Review by Christopher Long.
Generoso speaks with director Alonso Ruizpalacios, whose dynamic new feature, A Cop Movie, utilizes a unique and effective hybrid documentary style to examine police corruption in and around Mexico City. A Cop Movie was the winner of the Silver Bear for Outstanding Artistic Contribution at the 2021 Berlin Film Festival.
The St. Buryan Sessions (Shovel and a Spade Records). Review by Bob Pomeroy.
Radio Astro (BMG). Review by Julius C. Lacking.
Pom Pom Squad began as songwriter Mia Berrin’s solo operation but now employs four full-time experts in musical munitions and lethal lyrical techniques.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.