The Mixtures
Stompin’ At The Rainbow (Minky Records / Linda Records). Review by Carl F Gauze.
Music, media, and thought from the Ink 19 editorial team
Stompin’ At The Rainbow (Minky Records / Linda Records). Review by Carl F Gauze.
My Divider (Dine Alone Records). Review by Carl F Gauze.
The Woody Nightshade (Strange Attractors Audio House). Review by Carl F Gauze.
El Sonido Nuevo (Spark and Shine). Review by Carl F Gauze.
Keys to the Kingdom (Songs of the South). Review by James Mann.
Yuck (Fat Possum Records). Review by Jen Cray.
Here Before (Bar None). Review by Jeff Schweers.
Live execution! Live on stage! Mark Eisenstein’s The Electric Chair tells the story of a shoe salesman attempting to revive his failed career as a comedian, sharing the stage with an electric chair.
The best of 2010’s short film selections from The Sundance Film Festival
Sympathy (Roll Call Records / EMI). Review by Carl F Gauze.
Zonoscope (Modular Recordings). Review by Jen Cray.
Colin Hay tells stories and knocks off his hits in this intimate acoustic show at Orlando’s Plaza Live. Carl F Gauze sits in.
Carl F Gauze can never get enough of good post punk Celtic Canadians, so it’s a good thing when Enter the Haggis comes to town.
We Live in Rented Rooms (Merge Records). Review by James Mann.
Salt on Sea Glass (Chimera Music). Review by Carl F Gauze.
What Makes Bob Holler (Proper Records). Review by Al Pergande.
Dum Dum Girls top a promising indie rock bill that woos Jen Cray into downtown Orlando in the midst of St. Paddy’s Day madness.
Apocalyptica class up heavy metal with their unique triple cello approach, and Jen Cray is awed.
Annals of My Glass House (Blue Gentian Records). Review by Tim Wardyn.
Lawless Darkness (Season of Mist). Review by Matthew Moyer.
Gasoline Lollipops’ newest single, “Freedom Don’t Come Easy,” is today’s mother lovin’ punk rock folk anthem.
Frank Henenlotter’s gory grindhouse classic Basket Case looks as grimy as the streets of Times Square, and that is one of the film’s greatest assets. Arrow Video gives this unlikely candidate a welcome fresh release.
Despite the Mother’s Day factor, hundreds of fervent, faithful followers still flocked to Orlando’s famed Plaza Live to catch an earlybird set from Jimmy Failla — one of the hottest names on today’s national comedy scene.
Ink 19 readers get an early listen and look at “Cool Sparkling Water,” a new single from Lonnie Walker.
Jeremy Glazier has a bucket list day at a Los Lobos 50th Anniversary show in Davenport, Iowa.
Carl F. Gauze reviews the not-quite one-woman show, Always… Patsy Cline, based on the true story of Cline’s friendship with Louise Seger, who met the star in l961 and corresponded with Cline until her death.
Carl F. Gauze reviews this interesting look at the surprising history and scandalous etymology of jazz, in Weird Music That Goes On Forever, by Bob Suren.
Two new releases from Free Dirt Records use sound and music to tell stories about our history.
A lady Tarzan and her gorilla have a rough time adapting to high society in Lorraine of the Lions (1925), one of four silent films on Accidentally Preserved: Volume 5, unleashed by Ben Model and Undercrank Productions, with musical scores by Jon C. Mirsalis.