Lemonheads
The Lemonheads run through their 1992 opus It’s a Shame About Ray for Matthew Moyer and an excited Jacksonville audience.
The Lemonheads run through their 1992 opus It’s a Shame About Ray for Matthew Moyer and an excited Jacksonville audience.
There’s more to Orlando than Disney World, like great four-day music festivals headlined by great bands. Jen Cray caught Cults and Spectrals as part of the Orange You Glad Music Festival at The Plaza Live Theatre.
The right time and place happened at Backbooth Wednesday night, March 7. Eric Donath was there for the Orange You Glad Fest pre-Party, where Grimes, Born Gold, and Michael Parallax put on a super fun show of costumes, props, and fantastic original music.
Your daddy’s Country music ran away screaming tonight, and even Carl F Gauze cashed his chips in early once Hank 3 wrapped up his hellbilly set and started in on his ear-drum-challenging metal second act.
Liturgy crashes a party brought to you by indie buzz acts to 1: confuse fans who came out to see Sleigh Bells and Diplo, and 2: give Matthew Moyer a reason to show up.
King Khan and The Shrines were knee deep in the chaos and high tension of a hot Florida bar filled to the brim with college kids… and Matthew Moyer.
What happens when the Muppets take a whole lot of drugs and partner up with an avant garde musician? Something along the lines of Quintron and Miss Pussycat. Matthew Moyer reveled in the unearthly delights.
Zola Jesus creates a surreal and magical concert experience, Jen Cray learned at the songstress’ first ever Orlando date.
You’ve seen the documentary, now see the band! Anvil in 3D, in Tampa, with Carl F Gauze at their feet.
Ten years of The Kills may not mean much to some, but to many – Jen Cray included – it means a decade’s worth of killer music that’s worth celebrating.
Time Of My Life (Frenchkiss Records). Review by Danielle Holian. Featured photo by Jim Fuller.
The Shape of Punk to Come: A Chimerical Bombination in 12 Bursts (Epitaph). Review by Steven Cruse.
A Peak in the Signal: Live 1979-1980 (Tiny Global Productions). Review by Peter Lindblad.
We Take No Prisoners (The Singles: 1995 – 2006) (BMG). Review by Christopher Long.
Bob Mould finishes his 2024 Fall Solo Tour, bringing legendary energy to Atlanta.
Featured photo by Charles DJ Deppner.
Crescent City Jewels (Troubadour Jass ). Review by Bob Pomeroy.
Featured photo by Eric Waters and Girard Mouton.
For the tenth straight year, Lily and Generoso proudly present their coverage of AFI Fest, Los Angeles’s premiere film festival which took place in Hollywood this October.
Featured photo courtesy of AFI Fest.