Concert addict Jeremy Glazier talked with A.J. Croce near the beginning of his year-long Croce Plays Croce tour about embracing his father’s music and his own while honoring both their familial bond and shared influences.

Christopher Long scores Bonnie Raitt’s Streetlights on well-loved, slightly scratchy vinyl, at a Melbourne, Florida flea market.

Central City. (Funky Krewe Records) Review by Bob Pomeroy.

Jazz Fest: The New Orleans Jazz & Heritage Festival (Smithsonian/Folkways Records). Review by Bob Pomeroy.

Couldn’t let 2018 get past us without a few quick takes!

People Are My Drug (Psychic Hotline). Review by James Mann.

A Beautiful World (Basin Street). Review by Bob Pomeroy.

Live at Chickie Wah Wah (FHQ Records). Review by Bob Pomeroy.

Parking Lot Symphony (Blue Note). Review by Bob Pomeroy.

I Got Your Medicine. Review by James Mann.

River’s On Fire. Review by James Mann.

From the Big Muddy: Impressions of the New Orleans Jazz and Heritage Festival 2016

Live In Chicago (Orleans Records). Review by James Mann.

The Atco/Atlantic Singles 1968-1974 (Omnivore Recordings). Review by James Mann.

The Tedeschi Trucks band blew Michelle Wilson away in Melbourne!

Classified: Remixed and Expanded (Rounder Records). Review by James Mann.

Songbook (Rounder Records). Review by James Mann.

Preservation Hall Jazz Band 50th Anniversary Collection (Legacy Recordings). Review by Carl F Gauze.

I’ll Never Get Out of this World Alive (New West Records). Review by Sean Slone.

I hope I die before I get old? Not a chance, sez Carl F Gauze , after seeing a chorus of retirees give their all belting out numbers by Talking Heads, James Brown, and the Ramones.