11 Short Stories of Pain and Glory (ADA Music). Review by Joe Frietze.

Celtic punk veterans Dropkick Murphys rip though Orlando leaving beer-sodden green mohawks in their wake.

Flogging Molly didn’t give up much for Lent, instead bringing one hell of a happy show to Orlando’s House of Blues.

Packing enough punk ‘n’ roll to wake up a sleepy Florida Friday afternoon, Riverboat Gamblers plowed through a matinee set at The Social that left Jen Cray sweaty and smiling.

Great voices and Celtic Music from a band made popular on PBS lilt through the UCF Arena. Carl F Gauze knows it’s going to be an early, and comfy, night.

The Van’s Warped Tour may still be selling out shows all over the country after 14 years of wreaking havoc in the summertime, but Jen Cray wonders where the innovative music has gone.

St. Patrick’s Day is upon us and whether you’re of Irish descent or not, this time of year is always appropriate for taking in a Flogging Molly concert. Jen Cray joined the party on their annual Green 17 Tour in Orlando.

Float (SideOneDummy). Review by Jen Cray.

The Meanest of Times (Born & Bred). Review by Jen Cray.

Beijing to Boston (Bad News). Review by Jen Cray.

Internal Salvation (Hellcat). Review by Jen Cray.

Living In The Fallout (Think Fast!). Review by Jen Cray.

Sweet Misery (Sailor’s Grave). Review by Jen Cray.

The New Seditionaries (TKO). Review by Jen Cray.

The Social, in Orlando, has been frequently offering two-night residencies to bands that can easily sell out the small venue. Booking the bill with big talent and odd packaging, these shows are usually a hot ticket and always memorable. For a holiday treat in December, Bouncing Souls were the band in big letters with hefty support from The Street Dogs , Whole Wheat Bread and World/Inferno Friendship Society. Jen Cray was there for the mayhem on night #2.

The Warrior’s Code (HellCat Records). Review by Jen Cray.

vol. 10 (Epitaph). Review by Jen Cray.

The 30 minutes that Boston’s Dropkick Murphys spent onstage were easily the most intense, and awe-inspiring of the Warped Tour’s Orlando stop – enough to convert Jen Cray.

Give ‘em the Boot IV (Hellcat Records). Review by Carl F Gauze.

Social Distortion plays to yet another sold-out crowd 25 years into their career. Thus proving conclusivelly, to Jen Cray and all that Punk is not dead.