The Linda Lindas
No Obligation (Epitaph). Review by Bob Pomeroy.
No Obligation (Epitaph). Review by Bob Pomeroy.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Rat Beat (Epitaph). Review by Scott Adams.
Growing Up (Epitaph). Review by Bob Pomeroy.
9th and Walnut (Epitaph). Review by Scott Adams.
Fake Names (Epitaph). Review by Scott Adams.
Damnesia (Epitaph). Review by Jen Cray.
England Take My Bones (Epitaph). Review by Jen Cray.
Rock & Roll EP (Epitaph). Review by Jen Cray.
Greg Graffin deposits a lot of three-dollar words into this mix of biography, punk history, and evolutionary biology.
True Love Cast Out All Evil (Epitaph). Review by Carl F Gauze.
Poetry of the Dead (Epitaph). Review by Jen Cray.
Dying is Your Latest Fashion (Epitaph). Review by Jen Cray.
New Maps of Hell (Epitaph). Review by Jen Cray.
Orchestra of Wolves (Epitaph). Review by Jen Cray.
They Think They Are The Robocop Kraus (Epitaph). Review by Aaron Shaul.
Unsound (Epitaph). Review by David Barker.
vol. 10 (Epitaph). Review by Jen Cray.
Split EP (Epitaph). Review by Addam Donnelly.
The New What Next (Epitaph). Review by Daniel Mitchell.
Hell on Wheels – Tour Stories: Remembered, Remixed, Remastered will make your liver shudder. Review by Carl F. Gauze.
Five years following its original theatrical release, Ink 19’s Christopher Long revisits the Linda Ronstadt biopic, The Sound of My Voice, to see if it still packs a punch.
All you need to know about how our government SHOULD work.
Five years have passed since the release of the The Tree House, the remarkable hybrid documentary film by director Trương Minh Quý. Việt and Nam is Trương’s first fiction feature, and with about a week before it screens at AFI Fest in Los Angeles, Lily and Generoso had an in-depth discussion with Trương about his ethereal and complex film.