Rancid
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Tomorrow Never Comes (Epitaph). Review by Steven Cruse.
Body of Work (1990-1995) (Don Giovanni ). Review by Scott Adams.
iii (Flemish Eye). Review by Scott Adams.
Coriky (Dischord). Review by Scott Adams.
S/T (Dischord). Review by Scott Adams.
All At Once (Don Giovanni Records). Review by May Terry.
The rise of punk in our nation’s capital gets chronicled in Salad Days.
Pioneering ’90s emo band Rye Coalition were close enough to stardom to taste it. So what happened?
Fugazi Edits. Review by Julius C. Lacking.
What happens when a lost classic gets found? In the hands of Black Tambourine, the musical world becomes a better place, turns out. Matthew Moyer corrals the members of the once-forgotten noisepop band to get the whole sordid take on their expanded Black Tambourine reissue.
Reflect (Forgeagainrecords). Review by Carl F Gauze.
Akashic Press expands, redesigns, and re-releases Mark Anderson and Mark Jenkins’s invaluable DIY learning tool, Dance of Days. Even better, it’s just as energizing as the first read. What were YOU up to at age 16?
Walking Papers EP (Grand Palace). Review by Eric J. Iannelli.
Punctuated Equilibrium (Southern Lord). Review by Matthew Moyer.
1347ad (Human Inhuman/ Worldeater). Review by Jen Cray.
Jen Cray catches Circa Survive frontman Anthony Green’s intimate Orlando show, where only tentative steps are taken away from his signature crowd-pleasing sound.
Reno Divorce has called Denver home for over a decade, but their roots in the Orlando punk scene of the ’90s are not forgotten. Their recent Orlando gig is a homecoming for the band, their family, and friends, and for long-time fan, Jen Cray.
Losing Daylight (A-F Records). Review by Jen Cray.
Ghosts in the City (24 Hour Service Station). Review by Jen Cray.
Satellite Bay (Viva Hate Records). Review by S D Green.
Small-town Grand Junction, Colorado, comes out in droves to Slamming Bricks 2023, as our beloved queer community event eclipses its beginnings to command its largest audience yet. Liz Weiss reviews the performance, a bittersweet farewell both to and from the Grand Valley’s most mouthy rebel organizer, Caleb Ferganchick.
Carl F. Gauze reviews Dreamers Never Die, the loving documentary on the career of rocker extraordinaire Ronnie James Dio.
The iconic rock and roll magazine from the 1960s is back and just as relevant and snotty as ever.
This week, Christopher Long nearly fights a famed rock star in defense of his 1970s pin-up princess. To prove his point, Chris goes into his own garage and digs out his musty vinyl copy of the self-titled 1972 alt. country classic from Linda Ronstadt.
A former convict returns to London to avenge his former enemies and save his daughter. Carl F. Gauze reviews the Theater West End production of Sweeney Todd.
This week, cuddly curmudgeon Christopher Long finds himself feeling even older as he hobbles through a Florida flea market in pursuit of vinyl copies of the four infamous KISS solo albums — just in time to commemorate the set’s milestone 45th anniversary.
Starting with small-time jobs, two gangsters take over all the crime in Marseilles in this well-paced and entertaining French film. Carl F. Gauze reviews the freshly released Arrow Video Blu-ray edition of Borsalino (1970).